Citation: J. Jacobs, Joyce's epiphanic mode: Material language and the representation of sexuality in 'Stephen Hero' and 'Portrait', TWEN CT LIT, 46(1), 2000, pp. 20-33
Citation: N. Montgomery, Colonial rhetoric and the maternal voice: Deconstruction and disengagementin Virginia Woolf's The 'Voyage Out', TWEN CT LIT, 46(1), 2000, pp. 34-55
Citation: J. Stewart, A "need of distance and blue": Space, color, and creativity in 'To the Lighthouse' (Virginia Woolf), TWEN CT LIT, 46(1), 2000, pp. 78-99
Citation: Jh. Timmerman, Tim O'Brien and the art of the true war story: 'Night March' and 'Speakingof Courage' (Vietnam War), TWEN CT LIT, 46(1), 2000, pp. 100-114
Citation: Dm. Decoste, Modernism's shell-shocked history: Amnesia, repetition, and the war in Graham Greene's The 'Ministry of Fear', TWEN CT LIT, 45(4), 1999, pp. 428-451
Citation: Jh. Willis, The censored language of war: Richard Aldington's 'Death of a Hero' and three other war novels of 1929, TWEN CT LIT, 45(4), 1999, pp. 467-487
Citation: J. King, Trapping the fox you are(n't) with a riddle: The autobiographical crisis of Stephen Dedalus in 'Ulysses' (James Joyce), TWEN CT LIT, 45(3), 1999, pp. 299-316
Citation: L. Berlant, 'Twentieth Century Literature''s Andrew J. Kappel Prize in literary criticism, 1999 (Shoshana Wechsler), TWEN CT LIT, 45(2), 1999, pp. U121-U121
Citation: S. Wechsler, A ma(t)ter of fact and vision: The objectivity question and Muriel Rukeyser's The 'Book of the Dead', TWEN CT LIT, 45(2), 1999, pp. 121-137
Citation: Ka. Miller, 'Even-a-shelter's-not-safe': The Blitz on homes in Elizabeth Bowen's wartime writing (World War II), TWEN CT LIT, 45(2), 1999, pp. 138-158