Citation: Ps. Davis, Subjectivity and the aesthetics of national identity in Gertrude Stein's The 'Autobiography of Alice B. Toklas', TWEN CT LIT, 45(1), 1999, pp. 18-45
Citation: Mj. Hoffman et A. Ter Haar, "Whose books once influenced mine": The relationship between E.M. Forster's 'Howards End' and Virginia Woolf's The 'Waves', TWEN CT LIT, 45(1), 1999, pp. 46-64
Citation: J. Vincent, REPORTS OF LOOTING AND INSANE BUGGERY BEHIND ALTARS - ASHBERY,JOHN QUEER POETICS, Twentieth century literature, 44(2), 1998, pp. 155-175
Citation: C. Eby, RABBIT STEW AND BLOWING DOROTHY BRIDGES - LOVE, AGGRESSION, AND FETISHISM IN 'FOR WHOM THE BELL TOLLS', Twentieth century literature, 44(2), 1998, pp. 204-218
Citation: Kh. Zona, A DANGEROUS GAME OF CHANGE - IMAGES OF DESIRE IN THE LOVE POEMS OF SWENSON,MAY, Twentieth century literature, 44(2), 1998, pp. 219-241
Citation: Rg. Schulze, MOORE,MARIANNE IMPERIOUS OX, IMPERIAL DISH AND THE POETRY OF THE NATURAL WORLD (MODERN AMERICAN VERSE), Twentieth century literature, 44(1), 1998, pp. 1-33
Citation: Ck. Doreski, PROUSTIAN CLOSURE IN STEVENS,WALLACE THE 'ROCK' AND BISHOP,ELIZABETH 'GEOGRAPHY III', Twentieth century literature, 44(1), 1998, pp. 34-52
Citation: Jeg. Kaiser, DISCIPLINING THE 'WASTE LAND', OR HOW TO LEAD CRITICS INTO TEMPTATION(ELIOT,T.S.), Twentieth century literature, 44(1), 1998, pp. 82-99