Citation: M. Buchsel, THE RECEPTION OF CLASSICAL-ART AND COMPOS ITIONAL ELEMENTS OF THE OLD-METZ-SCHOOL, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 49, 1996, pp. 9-43
Citation: J. Traeger, A FORGOTTON SURNAME - AN INTERPRETATION HISTORY OF THE 'BAMBERG RIDER' - MEDIEVAL PORTRAITURE STATUARY, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 49, 1996, pp. 44-76
Citation: W. Sauerlander, WEISSENBURG, SAINT WILLIBALD AND ASSISI - ITALIAN INFLUENCES IN FRANCONIA, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 49, 1996, pp. 77-88
Citation: H. Scholz, MURALS FROM THE WORKSHOP OF MULTSCHER,HANS - A REDISCOVERED 'BAPTISM OF CHRIST' FROM THE ULM BARFUSSKLOSTER (GERMAN LATE GOTHIC PAINTING), Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 49, 1996, pp. 89-102
Citation: B. Brinkmann, A MEMBRA-DISJECTA FROM A LOST MARIAN ALTA R BY THE MASTER-OF-THE-POLLING-ALTARS, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 49, 1996, pp. 103-122
Citation: R. Kahsnitz, STOSS,VEIT, A MASTER OF THE CARVED CRUCIF IX (GERMAN LATE GOTHIC SCULPTURE), Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 49, 1996, pp. 123-178
Citation: J. Muller, THE ODYSSEY OF A CHRISTIAN SCHOLAR - A NE W INTERPRETATION OF HOLBEIN,HAN 'PORTRAIT OF ERASMUS' IN LONGFORD CASTLE, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 49, 1996, pp. 179-211
Citation: B. Welzel, AN CONNOISSEURS HIDDEN IMAGES - THE MARBU RG GRUNWALD DRAWINGS DISCOVERIES IN 1949, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 49, 1996, pp. 212-226
Citation: D. Hess, A NEOGOTHIC MODESPIEL OR A MONUMENT TO THE PAST - THE ERBACH COLLECTION OF GLASS PAINTING AND THEIR CONTEXT (STAINED-GLASS), Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 49, 1996, pp. 227-248
Citation: D. Hess, LOCHNER,STEFAN, MASTER ARTIST OF COLOGNE - HIS BACKGROUND, WORKS AND INFLUENCE - GERMAN - ZEHNDER,FG, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 49, 1996, pp. 249-253
Citation: U. Schafer, MASTERPIECES ON A MASSIVE SCALE - THE SCU LPTORS WORKSHOP OF WECKMANN,NIKLAUS AND PAINTING IN ULM CIRCA 1500 - GERMAN - MEURER,H, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 49, 1996, pp. 254-260
Citation: A. Hornemann, LATE GOTHIC PANEL PAINTING IN SAXONY - GE RMAN - SANDNER,I, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 49, 1996, pp. 261-266
Citation: T. Noll, ALTDORFER,ALBRECHT AND THE ORIGINS OF LAN DSCAPE - WOOD,CS, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 49, 1996, pp. 267-273
Citation: T. Eser, THE ST-ANNA-FUGGER-CHAPEL IN AUGSBURG - G ERMAN - BUSHART,B, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 49, 1996, pp. 274-280
Citation: U. Beckler, GERMAN SCULPTURE OF THE LATER RENAISSANCE , C.1520-1580 - ART IN AN AGE OF UNCERTAINTY - SMITH,JC, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 49, 1996, pp. 281-286
Citation: K. Otavsky, THE FRANKFURT-CATHEDRAL TREASURY, VOL 1, PARAMENTS, VOL 2, GOLD AND SILVER ARTIFACTS, VOL 3, INVENTORIES AND INDEXES - GERMAN - STOLLEIS,K,KOTZUR,HJ, LUTKENHAUS,H, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 49, 1996, pp. 287-290
Citation: H. Krohn, TRIBUTE TO BLOCH,PETER, 11 JULY, 1925 5 N OVEMBER, 1994 (OBITUARY), Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 49, 1996, pp. 291-294
Citation: H. Borschsupan, TRIBUTE TO KUHN,MARGARETE, 4 FEBRUARY, 19 04 12 SEPTEMBER, 1995, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 49, 1996, pp. 295-299
Citation: H. Krohm et A. Markschies, THE CHOIR-SCREEN OF THE GELNHAUSEN MAIREN KIRCHE - BASES FOR REASSESSMENT( MEDIEVAL CATHEDRAL INTERIORS ), Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 48, 1994, pp. 7-59
Citation: B. Dunker et S. Kemperdick, AN UNKNOWN WORK BY THE MASTER-OF-THE-DARM STADT-PASSION - WINGS OF THE HIGH ALTAR IN THE PILGRIMAGE CHURCH OF EBERHARDSKLAUSEN, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 48, 1994, pp. 61-89
Citation: P. Bloch, THE DEUTSCHE-VEREIN-FUR-KUNSTWISSENSCHAFT -HISTORY RESEARCH AND SCHOLARSHIP, AUTHOR INDEX, AND BIBLIOGRAPHY - A RETROSPECTIVE( ART), Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 48, 1994, pp. 91-104
Citation: H. Wille, ESSAYS ON ART BETWEEN ROMANTICISM AND REA LISM - INTRODUCTION, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 47, 1993, pp. 7-7
Citation: N. Suhr, UNPUBLISHED WATERCOLORS AND DRAWINGS OF F OHR,CARL,PHILIPP IN THE GRAPHIC COLLECTION OF THE LANDESMUSEUM-MAINZ, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 47, 1993, pp. 9-31