Citation: H. Gartner, COUNTERPART TO FAMILIAR MATERIAL - KERSTI NG,GEORG,FRIEDRICH BECHLY-FORGE, A RECONSTRUCTION, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 47, 1993, pp. 49-57
Citation: G. Spitzer, SCULPTURE AT THE ACADEMY-OF-ART IN DRESDE N IN THE 1ST 3RD OF THE 19TH-CENTURY, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 47, 1993, pp. 58-73
Citation: H. Wille, METZ,GUSTAV - LIFE AND WORK OF A FORGOTTE N LATE ROMANTIC ARTIST, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 47, 1993, pp. 74-91
Citation: S. Waetzold, A TRIBUTE TO KRUGER,GUNTER ON THE OCCASIO N OF HIS 75TH BIRTHDAY, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 47, 1993, pp. 93-93
Citation: W. Busch, INTERACTIONS BETWEEN GERMANY AND ENGLAND IN ART AND EARLY ART-HISTORIANS DURING THE 18TH AND 19TH-CENTURY - INTRODUCTORY-REMARKS, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 46, 1992, pp. 7-7
Citation: W. Busch, THE RECEPTION OF HOGARTH IN CHODOWIECKI A ND KAULBACH + INFLUENCES OFENGLISH PRINTS IN GERMANY, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 46, 1992, pp. 9-19
Citation: B. Baumgartel, ATTITUDES AND PAINTING -CENTURY POR TRAITURE - THE PARADOX OF SILENT EMOTION AS A SYNTHESIS OF INVENTION AND IMITATION( 18TH), Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 46, 1992, pp. 21-42
Citation: J. Gage, ENGLISH CONTRIBUTIONS TO FRIEDRICH LANDSC APES -CENTURY PAINTING( 18TH), Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 46, 1992, pp. 43-53
Citation: W. Beyrodt, ARTISTIC TRAVELS THROUGH ENGLAND -HISTORIANS - PASSAVANT,J.D. AND WAAGEN,G.F.( GERMAN ART), Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 46, 1992, pp. 55-58
Citation: M. Wagner, A STIMULUS TO THE EYE RATHER THAN DEPTH O F THE HEART - NATIONAL STEREOTYPES IN THE 19TH-CENTURY GERMAN RECEPTION OF TURNER, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 46, 1992, pp. 59-66
Citation: W. Ernst, MICHAELIS,ADOLF - THE CONFRONTATION OF GE RMAN ARCHAEOLOGY WITH BRITSH COLLECTIONS OF ANCIENT-ART, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 46, 1992, pp. 75-87
Citation: W. Vaughan, FROM MENZEL TO BEARDSLEY - PEN LINE DESIGN AND FACSIMILE WOOD ENGRAVING, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 46, 1992, pp. 89-101
Citation: R. Liess, THE RAHN SKETCH-A OF THE FREIBURG CATHEDRAL TOWER AND ITS STRASBOURG ORIGINS, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 45(1-2), 1991, pp. 7-66
Citation: M. Wolfson, ORIGINALITY AND TRADITION - ICONOGRAPHIC AND ARTISTIC SOURCES FOR THEKARLSRUHE-PASSION, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 45(1-2), 1991, pp. 67-87
Citation: S. Gross, THE RELIQUARY AND SIDEPIECE PAINTINGS OF THE SCHNEWLIN-ALTAR IN THE FREIBURG CATHEDRAL - ON THE BALDUNG STUDIO AND LEU,HANS, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 45(1-2), 1991, pp. 88-130
Citation: E. Oellermann, THE HIGH-ALTAR OF THE ST-MICHAELSKIRCHE IN LINDENHARDT, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 45(1-2), 1991, pp. 131-157
Citation: R. Marth, NEW FINDINGS CONCERNING THE GONDORF-CROSS + METALLIC COMPOSITION OF THE ICON, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 45(1-2), 1991, pp. 158-159
Citation: W. Breuer, MEDIEVAL TOURNAMENT TOYS - LATE-MEDIEVAL BRONZE MINIATURES, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 45(1-2), 1991, pp. 160-163
Citation: H. Krohm, 2 UNPUBLISHED FRAGMENTS FROM THE LORCH BEARING-OF-THE-CROSS -CENTURY MIDDLE-RHINE SCULPTURE( 15TH), Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 45(1-2), 1991, pp. 164-170
Citation: Cm. Vogtherr, NEW FINDINGS SURROUNDING THE KLOCKER,HANSALTAR OF ST-LEONHARDS, Zeitschrift des Deutschen Vereins fur Kunstwissenschaft, 45(1-2), 1991, pp. 171-177