Citation: Dc. Mauk, New England transcendentalism versus virulent nationalism: The evolution of Charles Ives' patriotic march music, AM STUD SC, 31(1), 1999, pp. 24-33
Citation: Ja. Saurez, John Dos Passos's 'USA' and left documentary film in the 1930s: The cultural politics of Newsreel and The Camera Eye, AM STUD SC, 31(1), 1999, pp. 43-67
Citation: L. Johannessen, Multilingual America: Transnationalism, ethnicity, and the languages of American literatures, AM STUD SC, 31(1), 1999, pp. 85-87
Citation: M. Keskinen, EXEMPLARY EXEGESES - SERMONS AS ALLEGORIES OF INTERPRETATION IN UPDIKE,JOHN A 'MONTH OF SUNDAYS', American studies in Scandinavia, 30(1), 1998, pp. 17-33
Citation: J. Nyman, THE BODY OVERCONSUMED - MASCULINITY AND CONSUMERISM IN HEMINGWAY,ERNEST 'ACROSS THE RIVER AND INTO THE TREES', American studies in Scandinavia, 30(1), 1998, pp. 34-46
Citation: Ck. Thomson, JAZZ IN THE AGE OF ANXIOUS MODERNIST AESTHETICS - AUTHENTICITY VERSUSKITSCH, American studies in Scandinavia, 30(1), 1998, pp. 67-90
Citation: Db. Skardal, THE WESTERN HOME - A LITERARY-HISTORY OF NORWEGIAN AMERICA - OVERLAND,O, American studies in Scandinavia, 30(1), 1998, pp. 91-101
Citation: O. Overland, BECOMING SWEDISH-AMERICAN - THE CONSTRUCTION OF AN ETHNIC-IDENTITY INTHE AUGUSTANA SYNOD, 1860-1917 - BLANCK,D, American studies in Scandinavia, 30(1), 1998, pp. 102-103
Citation: D. Blanck, THE COLONY THAT ROSE FROM THE SEA - NORWEGIAN MARITIMES MIGRATION ANDCOMMUNITY IN BROOKLYN, 1850-1910 - MAUK,D, American studies in Scandinavia, 30(1), 1998, pp. 105-106
Citation: O. Moen, FROM DIRECT ACTION TO AFFIRMATIVE-ACTION - FAIR EMPLOYMENT LAW AND POLICY IN AMERICA, 1933-1977 - MORENO,PD, American studies in Scandinavia, 30(1), 1998, pp. 106-109