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Results: 376-400/407
Authors:
BUCHANAN I
Citation: I. Buchanan, LANGUAGE AND SYMBOLIC POWER - BOURDIEU,P, Sub-stance, (71-72), 1993, pp. 342-344
PREFACES TO THE DIAPHORA, RHETORICS, ALLEGORY, AND THE INTERPRETATIONOF POSTMODERNITY - CARRAVETTA,P
Authors:
BARBIERO D
Citation: D. Barbiero, PREFACES TO THE DIAPHORA, RHETORICS, ALLEGORY, AND THE INTERPRETATIONOF POSTMODERNITY - CARRAVETTA,P, Sub-stance, (71-72), 1993, pp. 345-347
Authors:
BRUNETTE P
Citation: P. Brunette, FILM HIEROGLYPHS, RUPTURES IN CLASSICAL CINEMA - CONLEY,T, Sub-stance, (71-72), 1993, pp. 347-350
Authors:
BAUER GH
Citation: Gh. Bauer, PICTORIAL NOMINALISM, ON DUCHAMP,MARCEL PASSAGE FROM PAINTING TO THE READYMADE - DEDUVE,T, Sub-stance, (71-72), 1993, pp. 350-352
Authors:
KAROFF R
Citation: R. Karoff, POSTMODERN PROUST - GRAY,ME, Sub-stance, (71-72), 1993, pp. 353-356
SHIFTING SCENES, INTERVIEWS ON WOMEN, WRITING, AND POLITICS IN POST-68 FRANCE - JARDINE,AA, MENKE,AM
Authors:
HOLMLUND C
Citation: C. Holmlund, SHIFTING SCENES, INTERVIEWS ON WOMEN, WRITING, AND POLITICS IN POST-68 FRANCE - JARDINE,AA, MENKE,AM, Sub-stance, (71-72), 1993, pp. 356-358
Authors:
VANMERSBERGEN AM
Citation: Am. Vanmersbergen, BACHELARD,GASTON, SUBVERSIVE HUMANIST - TEXTS AND READINGS - MCALLESTERJONES,M, Sub-stance, (71-72), 1993, pp. 358-361
Authors:
STRAUSS WA
Citation: Wa. Strauss, PROUST AS MUSICIAN - NATTIEZ,JJ, Sub-stance, (71-72), 1993, pp. 361-364
Authors:
ANDERSON C
Citation: C. Anderson, TOURNIER,MICHEL METAPHYSICAL FICTIONS - PETIT,S, Sub-stance, (71-72), 1993, pp. 364-366
Authors:
POLAN D
Citation: D. Polan, STRANGE WEATHER, CULTURE, SCIENCE AND TECHNOLOGY IN THE AGE OF LIMITS- ROSS,A, Sub-stance, (71-72), 1993, pp. 366-370
Authors:
GOLSAN RJ
Citation: Rj. Golsan, THE VICHY SYNDROME - HISTORY AND MEMORY IN FRANCE SINCE 1944 - ROUSSO,H, Sub-stance, (71-72), 1993, pp. 370-375
Authors:
LUCY N
NCHOUL A
Citation: N. Lucy et A. Nchoul, LOWRY ENVOIS + REGARDING THE CORRESPONDENCE OF LOWRY,MALCOM, Sub-stance, (70), 1993, pp. 3-24
Authors:
KINGCAID RA
Citation: Ra. Kingcaid, ROMANCING THE TOME - THE SEDUCTION OF INTERTEXT IN DOUBROVSKY UN 'AMOUR DE SOI', Sub-stance, (70), 1993, pp. 25-40
Authors:
TOMAS D
Citation: D. Tomas, MIMESIS AND THE DEATH OF DIFFERENCE IN THE GRAPHIC ARTS, Sub-stance, (70), 1993, pp. 41-52
Authors:
WILLIAMS RG
Citation: Rg. Williams, READING THE PARENTHESIS, Sub-stance, (70), 1993, pp. 53-66
Authors:
SCHLOSSMAN B
Citation: B. Schlossman, BAUDELAIRE - LIBERTE, LIBERTINAGE, AND MODERNITY, Sub-stance, (70), 1993, pp. 67-80
Authors:
SWIRSKI P
Citation: P. Swirski, COMPUTHORS AND BITERATURE - MACHINE WRITTEN FICTION( LEM,STANISLAW FICTIONAL 'HISTORY OF BITIC LITERATURE' ), Sub-stance, (70), 1993, pp. 81-90
Authors:
BROWN CJ
Citation: Cj. Brown, THE EDITOR AND THE TEXT - BENNETT,PE, RUNNALLS,GA, Sub-stance, (70), 1993, pp. 91-95
Authors:
WATTS P
Citation: P. Watts, LETTERS TO THE NOUVELLE-REVUE-FRANCAISE 1631-1961 - FRENCH - CELINE,LF, Sub-stance, (70), 1993, pp. 95-97
Authors:
WELLE JP
Citation: Jp. Welle, THE BODY IN THE MIRROR - SHAPES OF HISTORY IN ITALIAN CINEMA - DALLEVACCHE,A, Sub-stance, (70), 1993, pp. 97-100
Authors:
LUGANDARDIGNA AM
Citation: Am. Lugandardigna, SADE AND THE WRITING OF THE ORGY PROTOCOL - POWER AND PARODY IN L 'HISTOIRE DE JULIETTE' - FRENCH - FRAPPIERMAZUR,L, Sub-stance, (70), 1993, pp. 100-102
Authors:
OBRIEN C
Citation: C. Obrien, BABEL AND BABYLON - SPECTATORSHIP IN AMERICAN SILENT-FILM - HANSEN,M, Sub-stance, (70), 1993, pp. 102-104
Authors:
BARTKOWSKI F
Citation: F. Bartkowski, THE OTHER SIDE OF THE STORY - STRATEGIES OF CONTEMPORARY FEMINIST NARRATIVES - HITE,M, Sub-stance, (70), 1993, pp. 104-106
Authors:
PRINZ J
Citation: J. Prinz, ART AFTER PHILOSOPHY AND AFTER - COLLECTED WRITINGS, 1966-1990 - KOSUTH,J, Sub-stance, (70), 1993, pp. 106-108
Authors:
DEROCHER G
Citation: G. Derocher, THE RHETORIC OF SEXUALITY AND THE LITERATURE OF THE FRENCH RENAISSANCE - KRITZMAN,LD, Sub-stance, (70), 1993, pp. 108-112