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Citation: A. Haus, Luca Giordano's 'Saint Michael' in the Berlin Gemaldegalerie - Reception of Laokoon and the artistic construction of morality, JAHRB BER M, 41, 1999, pp. 77-88
Citation: P. Malgouyres, Vouet, Mellin and company... - The course of Charles Mellin while at the Roman studio of Simon Vouet, JAHRB BER M, 41, 1999, pp. 89-97
Citation: A. Rasche, "Decoratore di Sua Maesta" - Giuseppe Galli Bibiena as stage designer to Berlin's Royal Court Opera under Friedrich II of Prussia, JAHRB BER M, 41, 1999, pp. 99-131
Citation: D. Wildung, Naga, a city of the steppes - Excavations in the Sudan by the Egyptian Museum (Ancient archaeology), JAHRB BER M, 41, 1999, pp. 251-266
Citation: H. Heres et W. Massmann, Restoration work for new exhibitions of the Altes Museum antiquities collection, 1998, JAHRB BER M, 41, 1999, pp. 267-283
Citation: A. Werbke, Viewer as Apollo - Vermeer's 'Malkunst' and his paintings at the Berlin Gemaldegalerie (Picture Gallery), JAHRB BER M, 40, 1998, pp. 71-98
Citation: W. Cillessen, A history of stained glass collection at the Berlin Kunstgewerbemuseum (Museum of Applied Art), JAHRB BER M, 40, 1998, pp. 99-116
Citation: B. Buczynski et U. Knapp, The Berlin sculpture of the Virgin Mary, a disputed work by Joseph Anton Feuchtmayer, JAHRB BER M, 40, 1998, pp. 145-174