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Results: 1-25/235
Authors:
Millon, HA
Citation: Ha. Millon, Vermeer studies - Editor's preface, STUD H ART, 55, 1998, pp. 7-7
Authors:
Gaskell, I
Citation: I. Gaskell, Valuing Vermeer (Dutch interior painting), STUD H ART, 55, 1998, pp. 9
Authors:
Broos, B
Citation: B. Broos, Vermeer: Malice and misconception, STUD H ART, 55, 1998, pp. 19
Authors:
Jowell, FS
Citation: Fs. Jowell, Vermeer and Thore-Burger: Recoveries of reputation, STUD H ART, 55, 1998, pp. 35
Authors:
Nash, JM
Citation: Jm. Nash, "To finde the mindes construction in the face" (Rembrandt influences on Vermeer), STUD H ART, 55, 1998, pp. 59-65
Authors:
Bok, MJ
Citation: Mj. Bok, Not to be confused with the Sphinx of Delft: The Utrecht painter Johannes van der Meer (Schipluiden 1630-1695/1697 Vreeswijk?), STUD H ART, 55, 1998, pp. 67
Authors:
Slatkes, LJ
Citation: Lj. Slatkes, Utrecht and Delft: Vermeer and Caravaggism, STUD H ART, 55, 1998, pp. 81
Authors:
Montias, JM
Citation: Jm. Montias, Recent archival research on Vermeer, STUD H ART, 55, 1998, pp. 93
Authors:
Delsaute, JL
Citation: Jl. Delsaute, The camera obscura and painting in the 16th and 17th centuries, STUD H ART, 55, 1998, pp. 111
Authors:
Bomford, D
Citation: D. Bomford, Perspective, anamorphosis, and illusion: 17th-century Dutch peep shows, STUD H ART, 55, 1998, pp. 125
Authors:
Levy-Van Halm, K
Citation: K. Levy-van Halm, Where did Vermeer buy his painting materials? Theory and practice, STUD H ART, 55, 1998, pp. 137
Authors:
Costaras, N
Citation: N. Costaras, A study of the materials and techniques of Johannes Vermeer, STUD H ART, 55, 1998, pp. 145
Authors:
Groen, KM
Van der Werf, ID
Van den Berg, K
Boon, JJ
Citation: Km. Groen et al., Scientific examination of Vermeer's 'Girl with a Pearl Earring' (Dutch portraiture), STUD H ART, 55, 1998, pp. 169
Authors:
Gifford, EM
Citation: Em. Gifford, Painting light: Recent observations on Vermeer's technique, STUD H ART, 55, 1998, pp. 185
Authors:
Wadum, J
Citation: J. Wadum, Contours of Vermeer, STUD H ART, 55, 1998, pp. 201
Authors:
Gaskell, I
Citation: I. Gaskell, Vermeer and the limits of interpretation, STUD H ART, 55, 1998, pp. 225
Authors:
Vergara, L
Citation: L. Vergara, Antiek and modern in Vermeer's 'Lady Writing a Letter With Her Maid' (Epistolary paintings), STUD H ART, 55, 1998, pp. 235
Authors:
Netta, I
Citation: I. Netta, The phenomenon of time in the art of Vermeer, STUD H ART, 55, 1998, pp. 257
Authors:
Sluijter, EJ
Citation: Ej. Sluijter, Vermeer, fame, and female beauty: The 'Art of Painting', STUD H ART, 55, 1998, pp. 265
Authors:
Miedema, H
Citation: H. Miedema, Johannes Vermeer's 'Art of Painting', STUD H ART, 55, 1998, pp. 285
Authors:
Weber, GJM
Citation: Gjm. Weber, Vermeer's use of a picture-within-a-picture: A new approach, STUD H ART, 55, 1998, pp. 295
Authors:
Salomon, N
Citation: N. Salomon, From sexuality to civility: Vermeer's women (Gender studies, Dutch art-history, painting), STUD H ART, 55, 1998, pp. 309
Authors:
De Winkel, M
Citation: M. De Winkel, The interpretation of dress in Vermeer's paintings, STUD H ART, 55, 1998, pp. 327
Authors:
Arasse, D
Citation: D. Arasse, Vermeer's private allegories, STUD H ART, 55, 1998, pp. 341
Authors:
De Jongh, E
Citation: E. De Jongh, On balance (Vermeer painting composition), STUD H ART, 55, 1998, pp. 351