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Results: 26-50/235
Authors:
BERRIE BH
LOMAX SQ
Citation: Bh. Berrie et Sq. Lomax, AZO PIGMENTS - THEIR HISTORY, SYNTHESIS, PROPERTIES, AND USE IN ARTISTS MATERIALS, Studies in the history of art, 57, 1997, pp. 8-33
Authors:
BUSTIN M
Citation: M. Bustin, RECALLING THE PAST - EVIDENCE FOR THE ORIGINAL CONSTRUCTION OF 'MADONNA ENTHRONED WITH SAINTS AND ANGELS' BY GADDI,AGNOLO, Studies in the history of art, 57, 1997, pp. 34-65
Authors:
EDMONDS P
Citation: P. Edmonds, A TECHNICAL EXAMINATION, INVESTIGATION, AND TREATMENT OF A 15TH-CENTURY SIENESE POLYCHROME TERRA-COTTA RELIEF ('MADONNA AND CHILD' ATTRIBUTED TO THE CIRCLE OF GIOVANNI-DI-TURINO, CURRENTLY IN THE NATIONAL-GALLERY-OF-ART, WASHINGTON), Studies in the history of art, 57, 1997, pp. 66-91
Authors:
GLINSMAN LD
Citation: Ld. Glinsman, RENAISSANCE PORTRAIT MEDALS BY MATTEO-DE-PASTI - A STUDY OF THEIR CASTING MATERIALS, Studies in the history of art, 57, 1997, pp. 92-107
Authors:
HOENIGSWALD A
Citation: A. Hoenigswald, MALEVICH,KAZIMIR PAINTINGS - SURFACE AND INTENDED APPEARANCE, Studies in the history of art, 57, 1997, pp. 108-125
Authors:
PALMER M
GIFFORD EM
Citation: M. Palmer et Em. Gifford, STEEN,JAN PAINTING PRACTICE - THE 'DANCING COUPLE' IN THE CONTEXT OF THE ARTISTS CAREER, Studies in the history of art, 57, 1997, pp. 126-155
Authors:
MILLON HA
Citation: Ha. Millon, ENGRAVED GEMS - SURVIVALS AND REVIVALS - PREFACE (SYMPOSIUM PAPERS), Studies in the history of art, 54, 1997, pp. 7-7
Authors:
BROWN CM
Citation: Cm. Brown, ENGRAVED GEMS - SURVIVALS AND REVIVALS - INTRODUCTION, Studies in the history of art, 54, 1997, pp. 9-11
Authors:
BOARDMAN J
Citation: J. Boardman, CLASSICAL GEMS AND MEDIA INTERACTION, Studies in the history of art, 54, 1997, pp. 13-21
Authors:
HENIG M
Citation: M. Henig, ET-IN-ARCADIA-EGO - SATYRS AND MAENADS IN THE ANCIENT-WORLD AND BEYOND (ENGRAVED GEMS), Studies in the history of art, 54, 1997, pp. 23-31
Authors:
SPIER J
Citation: J. Spier, EARLY-CHRISTIAN GEMS AND THEIR REDISCOVERY, Studies in the history of art, 54, 1997, pp. 33
Authors:
KORNBLUTH G
Citation: G. Kornbluth, CAROLINGIAN ENGRAVED GEMS - GOLDEN ROME IS REBORN, Studies in the history of art, 54, 1997, pp. 45
Authors:
ZWIERLEINDIEHL E
Citation: E. Zwierleindiehl, INTERPRETATIO CHRISTIANA - GEMS ON THE 'SHRINE OF THE THREE KINGS' INCOLOGNE (MEDIEVAL RELIQUARY GOLDSMITHING), Studies in the history of art, 54, 1997, pp. 63
Authors:
BROWN CM
Citation: Cm. Brown, GONZAGA,ISABELLA,DESTE 'AUGUSTUS AND LIVIA' CAMEO AND THE ALEXANDER AND OLYMPIAS GEMS IN VIENNA AND SAINT PETERSBURG, Studies in the history of art, 54, 1997, pp. 85
Authors:
TAIT H
Citation: H. Tait, THE RENAISSANCE CAMEO-CUT VASE AND ITS ANTECEDENTS (LABHARDT,CHRISTOPH, ROCK-CRYSTAL SCULPTURE), Studies in the history of art, 54, 1997, pp. 109
Authors:
PIACENTI KA
Citation: Ka. Piacenti, THE USES OF CAMEOS IN THE MOUNTS OF 16TH-CENTURY MILANESE PIETRE-DUREVASES, Studies in the history of art, 54, 1997, pp. 127
Authors:
YUEN T
Citation: T. Yuen, GLYPTIC SOURCES OF RENAISSANCE ART (ENGRAVED GEMS), Studies in the history of art, 54, 1997, pp. 137
Authors:
MCCRORY M
Citation: M. Mccrory, THE SYMBOLISM OF STONES - ENGRAVED GEMS AT THE MEDICI GRAND-DUCAL COURT (1537-1609), Studies in the history of art, 54, 1997, pp. 159
Authors:
JAFFE D
Citation: D. Jaffe, REPRODUCING AND READING GEMS IN RUBENS CIRCLE, Studies in the history of art, 54, 1997, pp. 181
Authors:
VANDERMEULEN M
Citation: M. Vandermeulen, PEIRESC,NICOLAS,CLAUDE,FABRI,DE AND ANTIQUE GLYPTIC (GEM ENGRAVING), Studies in the history of art, 54, 1997, pp. 195
Authors:
MAASKANTKLEIBRINK M
Citation: M. Maaskantkleibrink, ENGRAVED GEMS AND NORTHERN EUROPEAN HUMANISTS, Studies in the history of art, 54, 1997, pp. 229
Authors:
WEBER IS
Citation: Is. Weber, GIANT CAMEOS OF THE LATE 18TH-CENTURY IN PRECIOUS TABLETS WITH CAMEOSAND JEWELRY, Studies in the history of art, 54, 1997, pp. 249
Authors:
SEIDMANN G
Citation: G. Seidmann, AN 18TH-CENTURY COLLECTOR AS PATRON - THE 4TH DUKE-OF-MARLBOROUGH ANDTHE LONDON ENGRAVERS (BURCH,EDWARD, MARCHANT,NATHANIEL), Studies in the history of art, 54, 1997, pp. 263
Authors:
KAGAN JO
Citation: Jo. Kagan, THE CLASSICAL HERO AS IDEAL RULER ON 2 EARLY-19TH-CENTURY RUSSIAN CAMEOS (ENGRAVED GEMS), Studies in the history of art, 54, 1997, pp. 281
Authors:
LEWIS D
Citation: D. Lewis, THE LAST GEMS - ITALIAN NEOCLASSICAL GEM ENGRAVINGS AND THEIR IMPRESSIONS, Studies in the history of art, 54, 1997, pp. 293