AAAAAA
Results: 1-25/790
Authors:
Hoskins, A
Citation: A. Hoskins, New memory: Mediating history, HIST J FILM, 21(4), 2001, pp. 333-346
Authors:
Fowler, C
Citation: C. Fowler, Sites of contestation: The place of Alfred Machin in early Belgian cinema, HIST J FILM, 21(4), 2001, pp. 347-359
Authors:
Becker, R
Citation: R. Becker, 'Hear-and-see radio' in the World of Tomorrow: RCA and the presentation oftelevision at the World's Fair, 1939-1940, HIST J FILM, 21(4), 2001, pp. 361-378
Authors:
Holmes, S
Citation: S. Holmes, 'The infant medium with the adult manner' - The 'X' film 'on television', 1952-1962 (BBC), HIST J FILM, 21(4), 2001, pp. 379-397
Authors:
Howley, K
Citation: K. Howley, Talking about public affairs programming: WFHB and the legacy of listener-sponsored radio, HIST J FILM, 21(4), 2001, pp. 399-415
Authors:
Cull, NJ
Citation: Nj. Cull, First World War U-Boat: The 'Magische Gurtel' (The 'Enchanted Circle') (1917) and The 'Exploits of a German Submarine (35)', 'Operating in the Mediterranean' (1919), HIST J FILM, 21(4), 2001, pp. 417-418
Authors:
Tacey, E
Citation: E. Tacey, Filming women in the Third Reich, HIST J FILM, 21(4), 2001, pp. 418-420
Authors:
Tacey, E
Citation: E. Tacey, Hollywood beyond the screen: Design and material culture, HIST J FILM, 21(4), 2001, pp. 418-420
Authors:
Tacey, E
Citation: E. Tacey, Ziegfeld girl: Image and icon in culture and cinema, HIST J FILM, 21(4), 2001, pp. 418-420
Authors:
Cooper, D
Citation: D. Cooper, British cinema and the Cold War: The state, propaganda and consensus, HIST J FILM, 21(4), 2001, pp. 421-423
Authors:
Cooper, D
Citation: D. Cooper, Actors on Red alert, HIST J FILM, 21(4), 2001, pp. 421-423
Authors:
Cooper, D
Citation: D. Cooper, I was a Communist for the FBI: The unhappy life and times of Matt Cvetic, HIST J FILM, 21(4), 2001, pp. 421-423
Authors:
Jones, S
Citation: S. Jones, American films of the 70s: Conflicting visions, HIST J FILM, 21(4), 2001, pp. 423-425
Authors:
Jones, S
Citation: S. Jones, Spectacular narratives: Hollywood in the age of the blockbuster, HIST J FILM, 21(4), 2001, pp. 423-425
Authors:
Selznick, B
Citation: B. Selznick, Jerusalem, take one!, HIST J FILM, 21(4), 2001, pp. 426-427
Authors:
Nelson, M
Citation: M. Nelson, The drunken journalist: The biography of a film stereotype, HIST J FILM, 21(4), 2001, pp. 427-428
Authors:
Caven, H
Citation: H. Caven, Horror in our time: Images of the concentration camps in the British media, 1945, HIST J FILM, 21(3), 2001, pp. 205-253
Authors:
Petersen, J
Citation: J. Petersen, How British television inserted the Holocaust into Britain's war memory in1995, HIST J FILM, 21(3), 2001, pp. 255-272
Authors:
Smith, JD
Citation: Jd. Smith, Patrolling the boundaries of race: Motion picture censorship and Jim Crow in Virginia, 1922-1932, HIST J FILM, 21(3), 2001, pp. 273-291
Authors:
Woods, P
Citation: P. Woods, From Shaw to Shantaram: The Film Advisory Board and the making of British propaganda films in India, 1940-1943, HIST J FILM, 21(3), 2001, pp. 293-308
Authors:
Bjork, UJ
Citation: Uj. Bjork, 'Have gun, will travel': Swedish television and American westerns, 1959-1969, HIST J FILM, 21(3), 2001, pp. 309-321
Authors:
Rolinson, D
Citation: D. Rolinson, Lies, damn lies and documentaries, HIST J FILM, 21(3), 2001, pp. 323-326
Authors:
Rolinson, D
Citation: D. Rolinson, New Documentary: A critical introduction, HIST J FILM, 21(3), 2001, pp. 323-326
Authors:
Rolinson, D
Citation: D. Rolinson, No other way to tell it: Dramadoc/docudrama on television, HIST J FILM, 21(3), 2001, pp. 323-326
Authors:
Davis, AM
Citation: Am. Davis, The animated film encyclopedia, HIST J FILM, 21(3), 2001, pp. 327-327