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Results: << | 101-125 | 126-150 | 151-175 | 176-200 | >>

Table of contents of journal: *Historical journal of film radio and television

Results: 126-150/790

Authors: Nelson, M
Citation: M. Nelson, On the short waves, 1923-1945: Broadcast listening in the pioneer days of radio, HIST J FILM, 20(1), 2000, pp. 137-138

Authors: Smulyan, S
Citation: S. Smulyan, Historical dictionary of American radio, HIST J FILM, 20(1), 2000, pp. 138-139

Authors: Bratich, ZJ
Citation: Zj. Bratich, Active radio: Pacifica's brash experiment, HIST J FILM, 20(1), 2000, pp. 139-141

Authors: Doherty, T
Citation: T. Doherty, While America watches: Televising the Holocaust, HIST J FILM, 20(1), 2000, pp. 141-143

Authors: Webster, JG
Citation: Jg. Webster, Television and new media audiences, HIST J FILM, 20(1), 2000, pp. 143-144

Authors: Howells, R
Citation: R. Howells, Atlantic crossings: Nation, class and identity in 'Titanic' (1953) and A 'Night to Remember' (1958), HIST J FILM, 19(4), 1999, pp. 421-438

Authors: Allan, B
Citation: B. Allan, Canada's 'Heritage' (1939) and America's The 'Plow That Broke the Plains' (1936), HIST J FILM, 19(4), 1999, pp. 439-472

Authors: Davies, A
Citation: A. Davies, The first radio war: Broadcasting in the Spanish Civil War, 1936-1939, HIST J FILM, 19(4), 1999, pp. 473-513

Authors: Mazierska, E
Citation: E. Mazierska, Any town? Post-communist Warsaw in Juliusz Machulski's 'Girl Guide' (1995)and 'Kiler' (1997), HIST J FILM, 19(4), 1999, pp. 515-530

Authors: Kuhn, A
Citation: A. Kuhn, Cinema-going in Britain in the 1930s: Report of a questionnaire survey, HIST J FILM, 19(4), 1999, pp. 531-543

Authors: Short, KRM
Citation: Krm. Short, Stig Hornshoj-Moller (1949-1999), HIST J FILM, 19(4), 1999, pp. 545-546

Authors: Bottomore, S
Citation: S. Bottomore, Industry, liberty, and a vision: Wordsworth Donisthorpe's kinesigraph, HIST J FILM, 19(4), 1999, pp. 547-548

Authors: Fyne, R
Citation: R. Fyne, Orson Welles, Shakespeare, and popular culture, HIST J FILM, 19(4), 1999, pp. 548-549

Authors: Mather, P
Citation: P. Mather, More than night: Film noir in its contexts, HIST J FILM, 19(4), 1999, pp. 550-551

Authors: Kim, LS
Citation: Ls. Kim, Chick flicks: Theories and memories of the feminist film movement, HIST J FILM, 19(4), 1999, pp. 551-552

Authors: Kim, LS
Citation: Ls. Kim, In the company of women: Contemporary female friendship films, HIST J FILM, 19(4), 1999, pp. 552-554

Authors: Doherty, T
Citation: T. Doherty, The days of live: Television's golden age as seen by 21 Directors Guild ofAmerican members, HIST J FILM, 19(4), 1999, pp. 554-555

Authors: Schwoch, J
Citation: J. Schwoch, Latin American television: A global view, HIST J FILM, 19(4), 1999, pp. 555-556

Authors: Margry, K
Citation: K. Margry, The 1st Theresienstadt film (Nazi propaganda), HIST J FILM, 19(3), 1999, pp. 309-337

Authors: Crothall, G
Citation: G. Crothall, Images of regeneration: Film propaganda and the British slum clearance campaign, 1933-1938, HIST J FILM, 19(3), 1999, pp. 339-358

Authors: Worland, R
Citation: R. Worland, The Korean War film as family melodrama: The 'Bridges at Toko-Ri' (1954), HIST J FILM, 19(3), 1999, pp. 359-377

Authors: McQuire, S
Citation: S. Mcquire, Digital dialectics: The paradox of cinema in a studio without walls, HIST J FILM, 19(3), 1999, pp. 379-397

Authors: Ellwood, DW
Citation: Dw. Ellwood, The USIS-Trieste collection at the Archivio Centrale dello Stato, Rome (Italy, documentary film archives), HIST J FILM, 19(3), 1999, pp. 399-404

Authors: Horak, JC
Citation: Jc. Horak, The Universal Studios archives and collections department (American film), HIST J FILM, 19(3), 1999, pp. 405-406

Authors: Ellwood, DW
Citation: Dw. Ellwood, Hollywood and Europe, economics, culture, national identity, 1945-95, HIST J FILM, 19(3), 1999, pp. 407-409
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