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Results: 1-25/174
Authors:
Horton, A
Citation: A. Horton, New Zealand cinema: Introduction, FILM CRIT, 25(3), 2001, pp. 2-5
Authors:
McDonnell, B
Citation: B. Mcdonnell, Postwar Hollywood representations of New Zealand, FILM CRIT, 25(3), 2001, pp. 6-21
Authors:
Thornley, D
Citation: D. Thornley, White, brown or "coffee"? Revisioning race in Tamahori's 'Once Were Warriors', FILM CRIT, 25(3), 2001, pp. 22-36
Authors:
McDonald, L
Citation: L. Mcdonald, Adaptation and sequel: The limitations of 'What Becomes of the Broken Hearted' (Alan Duff and Sian Clement), FILM CRIT, 25(3), 2001, pp. 37-45
Authors:
Adah, A
Citation: A. Adah, Post-and re-colonizing Aotearoa screen: Violence and identity in 'Once Were Warriors' and 'What Becomes of the Broken Hearted' (Lee Tamahori and Ian Munes), FILM CRIT, 25(3), 2001, pp. 46-58
Authors:
Horton, A
Citation: A. Horton, Udderly hilarious: New directions in New Zealand comedy as seen in Harry Sinclair's the 'Price of Milk', FILM CRIT, 25(3), 2001, pp. 59-69
Authors:
Mazierska, E
Rascaroli, L
Citation: E. Mazierska et L. Rascaroli, Trapped in the present: Time in the films of Wong Kar-Wai (Fundamental change in human existence in relation to time and space), FILM CRIT, 25(2), 2000, pp. 2-20
Authors:
Walsh, M
Citation: M. Walsh, Building a New Wave: Australian films and the American market, FILM CRIT, 25(2), 2000, pp. 21-39
Authors:
Cardullo, B
Citation: B. Cardullo, Andre Bazin on film technique: Two seminal essays, FILM CRIT, 25(2), 2000, pp. 40-62
Authors:
Verevis, C
Citation: C. Verevis, The analysis of film, FILM CRIT, 25(2), 2000, pp. 63-71
Authors:
Shetley, V
Citation: V. Shetley, Planet Hong Kong: Cinema and the art of entertainment, FILM CRIT, 25(2), 2000, pp. 71-74
Authors:
Deutelbaum, M
Citation: M. Deutelbaum, The Hong Kong filmography, 1977-1997: Reference guide to 1,100 films produced by British Hong Kong Studios, FILM CRIT, 25(2), 2000, pp. 75-77
Authors:
Cain, JE
Citation: Je. Cain, "Writing in his musical key": Terrence Malick's vision of The 'Thin red line', FILM CRIT, 25(1), 2000, pp. 2-24
Authors:
Conley, T
Citation: T. Conley, Death, growth, and 'Regeneration' (1915), FILM CRIT, 25(1), 2000, pp. 25-46
Authors:
Orr, C
Citation: C. Orr, Cain, naturalism and noir (Garnett, Rafelson and Wilder's film versions and adaptations of James M. Cain's hard-boiled novels The 'Postman always rings twice' and 'Double indemnity'), FILM CRIT, 25(1), 2000, pp. 47-64
Authors:
Hayes, KJ
Citation: Kj. Hayes, Une 'Femme est une femme': A modern woman's bookshelf, FILM CRIT, 25(1), 2000, pp. 65-82
Authors:
Covey, WB
Citation: Wb. Covey, Detours and lost highways: A map of neo-noir, FILM CRIT, 25(1), 2000, pp. 83-87
Authors:
Deutelbaum, M
Citation: M. Deutelbaum, Storytelling in the new Hollywood: Understanding classical narrative technique, FILM CRIT, 25(1), 2000, pp. 87-90
Authors:
Iordanova, D
Citation: D. Iordanova, The last modernist: The films of Theo Angelopoulos, FILM CRIT, 25(1), 2000, pp. 90-94
Authors:
Hilliker, L
Citation: L. Hilliker, The history of the future in Paris: Chris Marker and Jean-Luc Godard in the 1960s, FILM CRIT, 24(3), 2000, pp. 1-22
Authors:
Lancashire, A
Citation: A. Lancashire, The 'Phantom Menace': Repetition, variation, integration (A film directed by George Lucas), FILM CRIT, 24(3), 2000, pp. 23-44
Authors:
Telotte, JP
Citation: Jp. Telotte, The problem of the real and 'THX 1138' (A student film by George Lucas), FILM CRIT, 24(3), 2000, pp. 45-60
Authors:
Thornley, D
Citation: D. Thornley, Duel or duet? Gendered nationalism in The 'Piano' (Jane Campion's 1993 film), FILM CRIT, 24(3), 2000, pp. 61-76
Authors:
Shi, L
Citation: L. Shi, The Daoist cosmic discourse in Zhang Yimou's 'To live', FILM CRIT, 24(2), 1999, pp. 2-16
Authors:
Morris, CD
Citation: Cd. Morris, Ro/pe (A critical response to Hitchcock's 'Rope'), FILM CRIT, 24(2), 1999, pp. 17-40