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Results: 101-125/174
Authors:
DEUTELBAUM M
Citation: M. Deutelbaum, SETS IN MOTION, ART DIRECTION AND FILM NARRATIVE - AFFRON,C, AFFRON,MJ, Film criticism, 21(1), 1996, pp. 91-95
Authors:
ORR C
Citation: C. Orr, SEX IN THE HEAD, VISIONS OF FEMININITY AND FILM IN LAWRENCE,D.H. - WILLIAMS,LR, Film criticism, 21(1), 1996, pp. 95-99
Authors:
BOHNE L
VELLA M
Citation: L. Bohne et M. Vella, THE WESTERN - INTRODUCTION, Film criticism, 20(3), 1996, pp. 1-3
Authors:
MICHAELS L
Citation: L. Michaels, GOLDSWORTHY,JAMES - IN-MEMORIAM, Film criticism, 20(3), 1996, pp. 3-3
Authors:
INGRASSIA C
Citation: C. Ingrassia, IM-NOT-KICKING-IM-TALKING - DISCURSIVE ECONOMIES IN THE WESTERN, Film criticism, 20(3), 1996, pp. 4-14
Authors:
DUNNE M
Citation: M. Dunne, DIALOGIZING THE FORMULA WESTERN - 'HEARTS OF THE WEST'( ZIEFF 1975 FILM ), Film criticism, 20(3), 1996, pp. 15-23
Authors:
FOSTER GA
Citation: Ga. Foster, CROSSDRESSING AND DISRUPTIONS OF IDENTITY IN THE 'DALTON GIRLS' + LEBORG 1957 FEMINIST WESTERN, Film criticism, 20(3), 1996, pp. 24-33
Authors:
MILLER G
Citation: G. Miller, THE DEATH OF THE WESTERN HERO - RITT,MARTIN 'HUD' AND 'HOMBRE', Film criticism, 20(3), 1996, pp. 34-51
Authors:
REED T
Citation: T. Reed, THE 6-GUN SIMULACRUM - NEW METAPHORS FOR AN OLD GENRE( THE WESTERN ), Film criticism, 20(3), 1996, pp. 52-70
Authors:
LEHMAN P
Citation: P. Lehman, REVELATIONS ABOUT PORNOGRAPHY, Film criticism, 20(1-2), 1996, pp. 3-16
Authors:
REID MA
Citation: Ma. Reid, THE BRAND-X OF POSTNEGRITUDE FRONTIER, Film criticism, 20(1-2), 1996, pp. 17-25
Authors:
EVERETT A
Citation: A. Everett, THE OTHER PLEASURES, THE NARRATIVE FUNCTION OF RACE IN THE CINEMA, Film criticism, 20(1-2), 1996, pp. 26-38
Authors:
HARRIES DM
Citation: Dm. Harries, THE SEMI-SEMIOTICS OF FILM, Film criticism, 20(1-2), 1996, pp. 39-54
THE DIGITAL DOMAIN, SOME PRELIMINARY NOTES ON IMAGE MESH AND MANIPULATION IN HYPERREAL CINEMA VIDEO/
Authors:
DIXON WW
Citation: Ww. Dixon, THE DIGITAL DOMAIN, SOME PRELIMINARY NOTES ON IMAGE MESH AND MANIPULATION IN HYPERREAL CINEMA VIDEO/, Film criticism, 20(1-2), 1996, pp. 55-66
Authors:
NEBESIO BY
Citation: By. Nebesio, THE THEORETICAL PAST OF CINEMA, INTRODUCING UKRAINIAN FILM THEORY OF THE 1920S, Film criticism, 20(1-2), 1996, pp. 67-77
Authors:
LANDY M
Citation: M. Landy, THE SEXUALITY OF HISTORY IN CONTEMPORARY BRITISH CINEMA, Film criticism, 20(1-2), 1996, pp. 78-87
Authors:
BAKER M
Citation: M. Baker, TRUMMERFILME, POSTWAR GERMAN CINEMA, 1946-1948, Film criticism, 20(1-2), 1996, pp. 88-101
Authors:
GHOSH B
SARKAR B
Citation: B. Ghosh et B. Sarkar, THE CINEMA OF DISPLACEMENT, TOWARDS A POLITICALLY MOTIVATED POETICS, Film criticism, 20(1-2), 1996, pp. 102-113
Authors:
GEUENS JP
Citation: Jp. Geuens, PORNOGRAPHY AND THE HOLOCAUST, THE LAST TRANSGRESSION, Film criticism, 20(1-2), 1996, pp. 114-130
Authors:
DIXON WW
Citation: Ww. Dixon, THE PRACTICE OF THEORY, THE THEORY OF PRACTICE, THE POSTCOLONIAL CINEMA OF BLACKWOOD,MAUREEN AND THE SANKOFA-COLLECTIVE, Film criticism, 20(1-2), 1996, pp. 131-143
Authors:
SHARY T
Citation: T. Shary, VIDEO AS ACCESSIBLE ARTIFACT AND ARTIFICIAL ACCESS, THE EARLY FILMS OF EGOYAN,ATOM, Film criticism, 19(3), 1995, pp. 2-29
Authors:
WILLIAMS B
Citation: B. Williams, PEEP-SHOW WINDOWS ON THE ECONOMIC MIRACLE, VANACKEREN,ROBERT TRANSGRESSIVE MELODRAMAS, Film criticism, 19(3), 1995, pp. 30-43
Authors:
LINVILLE SE
Citation: Se. Linville, HOLLAND,AGNIESZKA 'EUROPA, EUROPA', DECONSTRUCTIVE HUMOR IN A HOLOCAUST FILM, Film criticism, 19(3), 1995, pp. 44-53
Authors:
ORR C
Citation: C. Orr, PASOLINI 'ACCATTONE', OR NATURALISM AND ITS DISCONTENTS, Film criticism, 19(3), 1995, pp. 54-66
Authors:
QUART L
Citation: L. Quart, A SLICE OF DELIRIUM, SCORSESE 'TAXI DRIVER' REVISITED, Film criticism, 19(3), 1995, pp. 67-71