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Results: 126-150/174
Authors:
HINTON L
Citation: L. Hinton, A WOMANS VIEW - THE 'VERTIGO' FRAME-UP, Film criticism, 19(2), 1995, pp. 2-22
Authors:
PALETZ GM
PALETZ DL
Citation: Gm. Paletz et Dl. Paletz, LEIGH,MIKE 'NAKED' TRUTH, Film criticism, 19(2), 1995, pp. 23-39
Authors:
DELEYTO C
Citation: C. Deleyto, THE NARRATOR AND THE NARRATIVE - THE EVOLUTION OF ALLEN,WOODY FILM COMEDIES, Film criticism, 19(2), 1995, pp. 40-54
Authors:
SORENSEN J
Citation: J. Sorensen, 'LEF', EISENSTEIN, AND THE POLITICS OF FORM, Film criticism, 19(2), 1995, pp. 55-74
Authors:
GANGULY S
Citation: S. Ganguly, NO MOKSHA - ARCADIA LOST IN RAY,SATYAJIT 'DAYS AND NIGHTS IN THE FOREST', Film criticism, 19(2), 1995, pp. 75-85
Authors:
ZINNEMANN F
Citation: F. Zinnemann, LETTER + COMMENTS ON RECENT SPECIAL DOUBLE ISSUE OF 'FILM CRITICISM' DEVOTED TO THE FILMS OF ZINNEMANN,FRED, Film criticism, 19(2), 1995, pp. 86-88
Authors:
STERNBERG C
Citation: C. Sternberg, LETTER + REPLY TO ZINNEMANN,FRED, Film criticism, 19(2), 1995, pp. 89-89
Authors:
PRINCE S
Citation: S. Prince, LETTER + REPLY TO ZINNEMANN,FRED, Film criticism, 19(2), 1995, pp. 89-89
Authors:
BICK IJ
Citation: Ij. Bick, MALE SUBJECTIVITY AT THE MARGINS - SILVERMAN,K, Film criticism, 19(2), 1995, pp. 90-95
Authors:
HAGOPIAN KJ
Citation: Kj. Hagopian, COLUMBIA-PICTURES - PORTRAIT OF A STUDIO - DICK,BF, Film criticism, 19(2), 1995, pp. 95-99
Authors:
ORR C
Citation: C. Orr, A CERTAIN REALISM - MAKING USE OF PASOLINI THEORY AND PRACTICE - VIANO,M, Film criticism, 19(2), 1995, pp. 99-103
Authors:
POLAN D
Citation: D. Polan, REFLECTIONS IN A MALE EYE - HUSTON,JOHN AND THE AMERICAN EXPERIENCE -STUDLAR,G, DESSER,D, Film criticism, 19(2), 1995, pp. 103-108
Authors:
DIXON WW
Citation: Ww. Dixon, AMERICAN-JEWISH FILMMAKERS - TRADITIONS AND TRENDS - DESSER,D, FRIEDMAN,LD, Film criticism, 19(2), 1995, pp. 108-113
Authors:
NOLLETTI A
Citation: A. Nolletti, ZINNEMANN,FRED - INTRODUCTION, Film criticism, 18(3), 1994, pp. 1-6
Authors:
NOLLETTI J
ZINNEMANN F
Citation: J. Nolletti et F. Zinnemann, CONVERSATION WITH ZINNEMANN,FRED, Film criticism, 18(3), 1994, pp. 7-29
Authors:
DIXON WW
Citation: Ww. Dixon, 'ACT OF VIOLENCE' AND THE EARLY FILMS OF ZINNEMANN,FRED, Film criticism, 18(3), 1994, pp. 30-45
Authors:
NORDEN MF
Citation: Mf. Norden, THE EYES HAVE IT, DIMENSIONS OF BLINDNESS IN 'EYES IN THE NIGHT', Film criticism, 18(3), 1994, pp. 46-58
Authors:
PRINCE S
Citation: S. Prince, HISTORICAL-PERSPECTIVE AND THE REALIST AESTHETIC IN 'HIGH NOON', Film criticism, 18(3), 1994, pp. 59-71
Authors:
FOSTER G
Citation: G. Foster, THE WOMEN IN 'HIGH NOON', A METANARRATIVE OF DIFFERENCE, Film criticism, 18(3), 1994, pp. 72-81
Authors:
NOLLETTI A
Citation: A. Nolletti, SPIRITUALITY AND STYLE IN THE 'NUNS STORY', Film criticism, 18(3), 1994, pp. 82-100
Authors:
MICHAELS L
Citation: L. Michaels, SHOOTING A MELON, THE TARGET PRACTICE SEQUENCE IN THE 'DAY OF THE JACKAL', Film criticism, 18(3), 1994, pp. 101-107
Authors:
STERNBERG C
Citation: C. Sternberg, REAL-LIFE REFERENCES IN 4 ZINNEMANN,FRED FILMS, Film criticism, 18(3), 1994, pp. 108-126
Authors:
VINEBERG S
Citation: S. Vineberg, ZINNEMANN,FRED ACTORS, Film criticism, 18(3), 1994, pp. 127-139
Authors:
RAPF JE
Citation: Je. Rapf, MYTHIC FIGURES, WOMEN AND CO-BEING IN 3 FILMS BY ZINNEMANN,FRED, Film criticism, 18(3), 1994, pp. 140-154
Authors:
NOLLETTI A
Citation: A. Nolletti, ZINNEMANN,FRED FILMOGRAPHY, Film criticism, 18(3), 1994, pp. 155-166