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Citation: S. Penichon, Differences in image tonality produced by different toning protocols for matte collodion photographs, J AM INST C, 38(2), 1999, pp. 124-143
Citation: C. Hoeniger, The restoration of the early Italian 'primitives' during the 20th century:Valuing art and its consequences, J AM INST C, 38(2), 1999, pp. 144-161
Citation: Mb. Mcneil et Bh. Little, The use of mineralogical data in interpretation of long-term microbiological corrosion processes: Sulfiding reactions, J AM INST C, 38(2), 1999, pp. 186-199
Citation: K. Berrett, Painted wood: History and conservation. Proceedings of a symposium organized by the wooden artifacts group of the American Institute for Conservationof Historic and Artistic Works and the Foundation of AIC, held at the Colonial Williamsburg Foundation, Williamsburg, Virginia, November 11-14, 1994, J AM INST C, 38(2), 1999, pp. 200-204
Citation: Wt. Chase, The sacred sculpture of Thailand: The Alexander B. Griswold collection: The Walters Art Gallery, J AM INST C, 38(2), 1999, pp. 205-210
Citation: Jh. Stoner, Looking through paintings: The study of painting techniques and materials in support of art historical research, J AM INST C, 38(1), 1999, pp. 83-86
Citation: J. Thornton, A BRIEF-HISTORY AND REVIEW OF THE EARLY PRACTICE AND MATERIALS OF GAP-FILLING IN THE WEST, Journal of the American Institute for Conservation, 37(1), 1998, pp. 3-22