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Table of contents of journal: *Journal of the Royal Musical Association

Results: 76-100/142
RATIONALIZING CULTURE - IRCAM, BOULEZ, AND THE INSTITUTIONALIZATION OF THE MUSICAL AVANT-GARDE - BORN,G
Authors: EMMERSON S
Citation: S. Emmerson, RATIONALIZING CULTURE - IRCAM, BOULEZ, AND THE INSTITUTIONALIZATION OF THE MUSICAL AVANT-GARDE - BORN,G, Journal of the Royal Musical Association, 122, 1997, pp. 147-151
THE DENT-MEDAL + AWARDED TO KONRAD,ULRICH
Citation: THE DENT-MEDAL + AWARDED TO KONRAD,ULRICH, Journal of the Royal Musical Association, 122, 1997, pp. 169-170
ITALY, THE ANCIENT-WORLD AND THE FRENCH MUSICAL INHERITANCE IN THE 16TH-CENTURY - ARCADELT AND CLEREAU IN THE SERVICE OF THE GUISES
Authors: BROOKS J
Citation: J. Brooks, ITALY, THE ANCIENT-WORLD AND THE FRENCH MUSICAL INHERITANCE IN THE 16TH-CENTURY - ARCADELT AND CLEREAU IN THE SERVICE OF THE GUISES, Journal of the Royal Musical Association, 121, 1996, pp. 147-190
PALESTRINA AS HISTORICIST - THE 2 L'HOMME ARME' MASSES
Authors: HAAR J
Citation: J. Haar, PALESTRINA AS HISTORICIST - THE 2 L'HOMME ARME' MASSES, Journal of the Royal Musical Association, 121, 1996, pp. 191-205
SCRIABIN 'OCTATONIC SONATA'
Authors: CHEONG WL
Citation: Wl. Cheong, SCRIABIN 'OCTATONIC SONATA', Journal of the Royal Musical Association, 121, 1996, pp. 206-228
MILHAUD 'ALISSA' MANUSCRIPTS
Authors: KELLY BL
Citation: Bl. Kelly, MILHAUD 'ALISSA' MANUSCRIPTS, Journal of the Royal Musical Association, 121, 1996, pp. 229-245
ITALIAN OPERA IN LATE 18TH-CENTURY LONDON, VOL 1, THE KINGS-THEATER, HAYMARKET, 1778-1791 - PRICE,C, MILHOUS,J, HUME,RD
Authors: MCGEARY T
Citation: T. Mcgeary, ITALIAN OPERA IN LATE 18TH-CENTURY LONDON, VOL 1, THE KINGS-THEATER, HAYMARKET, 1778-1791 - PRICE,C, MILHOUS,J, HUME,RD, Journal of the Royal Musical Association, 121, 1996, pp. 246-252
CONCERT LIFE IN LONDON FROM MOZART TO HAYDN - MCVEIGH,S
Authors: BASHFORD C
Citation: C. Bashford, CONCERT LIFE IN LONDON FROM MOZART TO HAYDN - MCVEIGH,S, Journal of the Royal Musical Association, 121, 1996, pp. 252-258
LISTENING IN PARIS - A CULTURAL HISTORY - JOHNSON,JH
Authors: EVERIST M
Citation: M. Everist, LISTENING IN PARIS - A CULTURAL HISTORY - JOHNSON,JH, Journal of the Royal Musical Association, 121, 1996, pp. 258-267
THE ORDER-OF-THE-GOLDEN-FLEECE
Authors: HAGGH B
Citation: B. Haggh, THE ORDER-OF-THE-GOLDEN-FLEECE, Journal of the Royal Musical Association, 121, 1996, pp. 268-270
THE RISE OF EUROPEAN MUSIC AND THE RIGHTS OF OTHERS
Authors: STROHM R
Citation: R. Strohm, THE RISE OF EUROPEAN MUSIC AND THE RIGHTS OF OTHERS, Journal of the Royal Musical Association, 121, 1996, pp. 1-10
THE RETRANSITION AS SIGN - LISTENER-ORIENTATED APPROACHES TO TONAL CLOSURE IN HAYDN SONATA-FORM MOVEMENTS
Authors: SPITZER M
Citation: M. Spitzer, THE RETRANSITION AS SIGN - LISTENER-ORIENTATED APPROACHES TO TONAL CLOSURE IN HAYDN SONATA-FORM MOVEMENTS, Journal of the Royal Musical Association, 121, 1996, pp. 11-45
GRIEG 'SLATTER OP72' - CHANGE OF MUSICAL STYLE OR NEW CONCEPT OF NATIONALITY
Authors: KLEIBERG S
Citation: S. Kleiberg, GRIEG 'SLATTER OP72' - CHANGE OF MUSICAL STYLE OR NEW CONCEPT OF NATIONALITY, Journal of the Royal Musical Association, 121, 1996, pp. 46-57
SZYMANOWSKI AND NARCISSISM
Authors: DOWNES S
Citation: S. Downes, SZYMANOWSKI AND NARCISSISM, Journal of the Royal Musical Association, 121, 1996, pp. 58-81
THE SIGNIFICANCE OF THE CONCEPT IMAGE IN TIPPETT MUSICAL THOUGHT - A PERSPECTIVE FROM JUNG
Authors: CLARKE D
Citation: D. Clarke, THE SIGNIFICANCE OF THE CONCEPT IMAGE IN TIPPETT MUSICAL THOUGHT - A PERSPECTIVE FROM JUNG, Journal of the Royal Musical Association, 121, 1996, pp. 82-104
BORN FOR THE MUSES - THE LIFE AND MASSES OF OBRECHT,JACOB - WEGMAN,RC
Authors: SHERR R
Citation: R. Sherr, BORN FOR THE MUSES - THE LIFE AND MASSES OF OBRECHT,JACOB - WEGMAN,RC, Journal of the Royal Musical Association, 121, 1996, pp. 105-116
MUSICAL MEANING IN BEETHOVEN - MARKEDNESS, CORRELATION, AND INTERPRETATION - HATTEN,RS
Authors: WHITTALL A
Citation: A. Whittall, MUSICAL MEANING IN BEETHOVEN - MARKEDNESS, CORRELATION, AND INTERPRETATION - HATTEN,RS, Journal of the Royal Musical Association, 121, 1996, pp. 116-124
SONDHEIM BROADWAY MUSICALS - BANFIELD,S
Authors: BLOCK G
Citation: G. Block, SONDHEIM BROADWAY MUSICALS - BANFIELD,S, Journal of the Royal Musical Association, 121, 1996, pp. 124-131
17TH-CENTURY ENGLISH KEYBOARD AUTOGRAPHS
Authors: KLAKOWICH R
Citation: R. Klakowich, 17TH-CENTURY ENGLISH KEYBOARD AUTOGRAPHS, Journal of the Royal Musical Association, 121, 1996, pp. 132-135
THE DIVINE MADNESS OF ANDREINI,ISABELLA
Authors: MACNEIL A
Citation: A. Macneil, THE DIVINE MADNESS OF ANDREINI,ISABELLA, Journal of the Royal Musical Association, 120, 1995, pp. 195-215
THE EXILED COURT OF JAMES-II AND JAMES-III, A CENTER OF ITALIAN MUSICIN FRANCE 1689-1712
Authors: CORP ET
Citation: Et. Corp, THE EXILED COURT OF JAMES-II AND JAMES-III, A CENTER OF ITALIAN MUSICIN FRANCE 1689-1712, Journal of the Royal Musical Association, 120, 1995, pp. 216-231
18TH-CENTURY MODELS OF FRENCH RECITATIVE
Authors: DILL C
Citation: C. Dill, 18TH-CENTURY MODELS OF FRENCH RECITATIVE, Journal of the Royal Musical Association, 120, 1995, pp. 232-250
RHYTHM AND METER IN WEBERN LATE WORKS
Authors: BAILEY K
Citation: K. Bailey, RHYTHM AND METER IN WEBERN LATE WORKS, Journal of the Royal Musical Association, 120, 1995, pp. 251-280
RELIGIOUS MUSIC IN FRANCE FROM THE COUNCIL-OF-TRENT TO 1804 - FRENCH - LAUNAY,D
Authors: SAWKINS L
Citation: L. Sawkins, RELIGIOUS MUSIC IN FRANCE FROM THE COUNCIL-OF-TRENT TO 1804 - FRENCH - LAUNAY,D, Journal of the Royal Musical Association, 120, 1995, pp. 281-287
THEORY, ANALYSIS AND MEANING IN MUSIC - POPLE,A
Authors: MARSTON N
Citation: N. Marston, THEORY, ANALYSIS AND MEANING IN MUSIC - POPLE,A, Journal of the Royal Musical Association, 120, 1995, pp. 288-297
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