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Results: 1-25/99
Authors:
Wark, J
Citation: J. Wark, Martha Wilson: Not taking it at face value, CAMERA OBSC, (45), 2001, pp. U1
Authors:
Hankin, K
Citation: K. Hankin, 'Wish-we-didn't-have-to-meet-secretly?': Negotiating contemporary space inthe lesbian-bar documentary, CAMERA OBSC, (45), 2001, pp. 34-69
Authors:
Slane, A
Citation: A. Slane, 'Pressure Points': Political psychology, screen adaptation, and the management of racism in the case-history genre, CAMERA OBSC, (45), 2001, pp. 71-113
Authors:
Del Rio, E
Citation: E. Del Rio, The body of voyeurism: Mapping a discourse of the sense in Michael Powell's 'Peeping Tom', CAMERA OBSC, (45), 2001, pp. 115-149
Authors:
Hendershot, H
Citation: H. Hendershot, Holiness codes and holy homosexuals: Interpreting gay and lesbian Christian subculture, CAMERA OBSC, (45), 2001, pp. 151-193
Authors:
Burns, CL
Citation: Cl. Burns, Erasure: Alienation, paranoia, and the loss of memory in The 'X-Files', CAMERA OBSC, (45), 2001, pp. 195-225
Authors:
White, P
Citation: P. White, Black and white: Mercedes de Acosta's glorious enthusiasms, CAMERA OBSC, (45), 2001, pp. 226-265
Authors:
Halle, R
Citation: R. Halle, 'Happy ends' to crises of heterosexual desire: Toward a social psychology of recent German comedies (Film), CAMERA OBSC, (44), 2000, pp. 1-39
Authors:
Koepnick, L
Citation: L. Koepnick, Consuming the other: Identity, alterity, and contemporary German cinema, CAMERA OBSC, (44), 2000, pp. 41-72
Authors:
Alter, NM
Citation: Nm. Alter, Mourning, sound, and vision: Jean-Luc Godard's 'JLG/JLG', CAMERA OBSC, (44), 2000, pp. 75-103
Authors:
Fenner, A
Citation: A. Fenner, Turkish cinema in the New Europe: Visualizing ethnic conflict in Sinan Cetin's 'Berlin in Berlin', CAMERA OBSC, (44), 2000, pp. 105-148
Authors:
Mennell, B
Ongiri, A
Citation: B. Mennell et A. Ongiri, In a desert somewhere between Disney and Las Vegas: The fantasy of interracial harmony and American multiculturalism in Percy Adlon's 'Bagdad Cafe', CAMERA OBSC, (44), 2000, pp. 151-174
Authors:
McCarthy, M
Citation: M. Mccarthy, Teutonic water: Effervescent otherness in Doris Dorrie's 'Nobody Loves Me', CAMERA OBSC, (44), 2000, pp. 177-200
Authors:
Marciniak, K
Citation: K. Marciniak, Cinematic exile: Performing the foreign body on screen in Roman Polanski'sThe 'Tenant', CAMERA OBSC, (43), 2000, pp. 1-43
Authors:
Lentz, KM
Citation: Km. Lentz, Quality versus Relevance: Feminism, race, and the politics of the sign in 1970s television, CAMERA OBSC, (43), 2000, pp. 45-93
Authors:
Kydd, E
Citation: E. Kydd, 'The ineffaceable curse of Cain': Racial marking and embodiment in 'Pinky'(Elia Kazan), CAMERA OBSC, (43), 2000, pp. 95-121
Authors:
Chisholm, A
Citation: A. Chisholm, Missing persons and bodies of evidence (Film history, body doubles), CAMERA OBSC, (43), 2000, pp. 123-161
Authors:
Mottahedeh, N
Citation: N. Mottahedeh, Bahram Bayzai's 'Maybe..Some Other Time': The un-Present-able Iran, CAMERA OBSC, (43), 2000, pp. 163-191
Authors:
DiPiero, T
Sudan, R
Citation: T. Dipiero et R. Sudan, 'Angels, Dinosaurs, Aliens' - Editors' introduction, CAMERA OBSC, (40-41), 1997, pp. 5-14
Authors:
Rothenberg, MA
Citation: Ma. Rothenberg, The 'newer angels' and the living dead: The ethics of screening obsessional desire (American cinema, television), CAMERA OBSC, (40-41), 1997, pp. 17-41
Authors:
Dean, J
Citation: J. Dean, The truth is out there: Aliens and the fugitivity of postmodern truth, CAMERA OBSC, (40-41), 1997, pp. 42-75
Authors:
Markley, R
Citation: R. Markley, Alien assassinations: The 'X-Files' and the paranoid structure of history, CAMERA OBSC, (40-41), 1997, pp. 77-102
Authors:
Sudan, R
Citation: R. Sudan, Technophallia (Gender, sexuality, and science fiction), CAMERA OBSC, (40-41), 1997, pp. 105-126
Authors:
Higley, SL
Citation: Sl. Higley, Alien intellect and the roboticization of the scientist, CAMERA OBSC, (40-41), 1997, pp. 131-160
Authors:
Gill, P
Citation: P. Gill, Technostalgia: Making the future past perfect (Nostalgia in postmodern cinema), CAMERA OBSC, (40-41), 1997, pp. 163-179