Citation: Pe. Schrock, MAN-RAY LE 'CADEAU' - THE UNNATURAL WOMAN AND THE DE-SEXING OF MODERNMAN( SURREALIST SCULPTURE ), Woman's art journal, 17(2), 1996, pp. 26-29
Citation: B. Bergmann, PRIVATE LIVES, IMPERIAL VIRTUES - THE FRIEZE OF THE FORUM-TRANSITORIUM IN ROME - DAMBRA,E, Woman's art journal, 17(2), 1996, pp. 30-32
Citation: Sp. Casteras, HANGING THE HEAD - PORTRAITURE AND SOCIAL FORMATION IN 18TH-CENTURY ENGLAND - POINTON,M, Woman's art journal, 17(2), 1996, pp. 32-35
Citation: S. Grimberg, SIGNIFICANT OTHERS - CREATIVITY AND INTIMATE PARTNERSHIP - CHADWICK,W, COURTVIRON,ID, Woman's art journal, 17(2), 1996, pp. 42-45
Citation: J. Nicoletta, BOURGEOIS,LOUISE - THE LOCUS OF MEMORY, WORKS 1982-1993 - KOTIK,C, SULTAN,T, LEIGH,C, Woman's art journal, 17(2), 1996, pp. 46-47
Citation: J. Springer, PICASSO AND THE WEEPING WOMEN - THE YEARS OF WALTER,MARIE,THERESE ANDMAAR,DORA - FREEMAN,J, Woman's art journal, 17(2), 1996, pp. 47-49
Citation: Ma. Stankiewicz, THE TORCHBEARERS - WOMEN AND THEIR AMATEUR ARTS ASSOCIATIONS IN AMERICA, 1890-1930 - BLAIR,KJ, Woman's art journal, 17(2), 1996, pp. 49-51
Citation: Cb. Sheffield, AT CENTURY END - NORWEGIAN ARTISTS AND THE FIGURATIVE TRADITION 1880 1990 - STERLING,SF, WICHSTROM,A, SMIT,T/, Woman's art journal, 17(2), 1996, pp. 55-55