Citation: A. Pick, Miracles of arrangement: Structures of multiplicity and the birth of justice in Henry James's The 'Golden Bowl', HENRY JAMES, 21(2), 2000, pp. 115-132
Citation: K. Mccolley, Claiming center stage: Speaking out for homoerotic empowerment in The 'Bostonians' (Henry James), HENRY JAMES, 21(2), 2000, pp. 151-169
Citation: G. Kuchar, Henry James and the phenomenal reader: Consciousness and the variation of style in The 'Wings of the Dove', HENRY JAMES, 21(2), 2000, pp. 170-185
Citation: Pa. Walker, A calendar of the letters of Henry James and a biographical register of Henry James's correspondents, HENRY JAMES, 21(2), 2000, pp. 186-188
Citation: K. King, Ethereal Milly Theale in the 'Wings of the Dove': The transparent heart ofHenri James's opaque style, HENRY JAMES, 21(1), 2000, pp. 1-13
Citation: Ag. James, The master and the laureate of the Jews: The brief friendship of Henry James and Emma Lazarus, HENRY JAMES, 21(1), 2000, pp. 27-42
Citation: E. Savoy, A Small Boy and Others: Imitation and initiation in American culture from Henry James to Andy Warhol, HENRY JAMES, 21(1), 2000, pp. 83-86