AAAAAA

   
Results: 1-25 | 26-50 | 51-75 | 76-100 | >>

Table of contents of journal: The *Henry James review

Results: 26-50/166

Authors: O'Donnell, H
Citation: H. O'Donnell, Stumbling on Henry James, HENRY JAMES, 21(3), 2000, pp. 234-241

Authors: Meissner, C
Citation: C. Meissner, 'What ghosts will be left to walk': Mercantile culture and the language ofart, HENRY JAMES, 21(3), 2000, pp. 242-252

Authors: Adams, TD
Citation: Td. Adams, Material James and James's material: Coburn's frontispieces to the New York edition, HENRY JAMES, 21(3), 2000, pp. 253-260

Authors: Davis, JC
Citation: Jc. Davis, Solid, liquid, or gas? Race as a state of matter, HENRY JAMES, 21(3), 2000, pp. 261-269

Authors: Weinstein, S
Citation: S. Weinstein, Possessive matters in The 'Ghostly Rental' (Henry James), HENRY JAMES, 21(3), 2000, pp. 270-278

Authors: Walker, PA
Citation: Pa. Walker, Leon Edel and the 'policing' of the Henry James letters, HENRY JAMES, 21(3), 2000, pp. 279-289

Authors: Jobe, SH
Citation: Sh. Jobe, The Leon Edel papers at McGill University, HENRY JAMES, 21(3), 2000, pp. 290-297

Authors: Torsney, CB
Citation: Cb. Torsney, 'We are family'? The immaterial community of the James Family discussion list, HENRY JAMES, 21(3), 2000, pp. 298-304

Authors: Burrows, S
Citation: S. Burrows, The golden fruit: Innocence and imperialism in The 'Golden Bowl' (Henry James), HENRY JAMES, 21(2), 2000, pp. 93-114

Authors: Pick, A
Citation: A. Pick, Miracles of arrangement: Structures of multiplicity and the birth of justice in Henry James's The 'Golden Bowl', HENRY JAMES, 21(2), 2000, pp. 115-132

Authors: Storm, W
Citation: W. Storm, Henry James's conscious muse: Design for a 'theatrical case' in The 'Tragic Muse', HENRY JAMES, 21(2), 2000, pp. 133-150

Authors: McColley, K
Citation: K. Mccolley, Claiming center stage: Speaking out for homoerotic empowerment in The 'Bostonians' (Henry James), HENRY JAMES, 21(2), 2000, pp. 151-169

Authors: Kuchar, G
Citation: G. Kuchar, Henry James and the phenomenal reader: Consciousness and the variation of style in The 'Wings of the Dove', HENRY JAMES, 21(2), 2000, pp. 170-185

Authors: Walker, PA
Citation: Pa. Walker, A calendar of the letters of Henry James and a biographical register of Henry James's correspondents, HENRY JAMES, 21(2), 2000, pp. 186-188

Authors: Tambling, J
Citation: J. Tambling, Henry James's legacy: The afterlife of his figure and fiction, HENRY JAMES, 21(2), 2000, pp. 189-190

Authors: Ringuette, DJ
Citation: Dj. Ringuette, The turn of the mind: Constituting consciousness in Henry James, HENRY JAMES, 21(2), 2000, pp. 191-193

Authors: King, K
Citation: K. King, Ethereal Milly Theale in the 'Wings of the Dove': The transparent heart ofHenri James's opaque style, HENRY JAMES, 21(1), 2000, pp. 1-13

Authors: Walker, PA
Citation: Pa. Walker, "Adina": Henry James's allegory of power and the representation of the foreign, HENRY JAMES, 21(1), 2000, pp. 14-26

Authors: James, AG
Citation: Ag. James, The master and the laureate of the Jews: The brief friendship of Henry James and Emma Lazarus, HENRY JAMES, 21(1), 2000, pp. 27-42

Authors: Boudreau, K
Citation: K. Boudreau, Is the world then so narrow? Feminist cinematic adaptations of Hawthorne and James, HENRY JAMES, 21(1), 2000, pp. 43-53

Authors: Tintner, AR
Citation: Ar. Tintner, Jean Pavans: The inspired translator of James in French, HENRY JAMES, 21(1), 2000, pp. 54-55

Authors: MArtin, RK
Citation: Rk. Martin, Ages of innocence: Edith Wharton, Henry James, and Nathaniel Hawtorne, HENRY JAMES, 21(1), 2000, pp. 56-62

Authors: Ingelbien, R
Citation: R. Ingelbien, Reversed positions: Henry James, realism, and sexual passion, HENRY JAMES, 21(1), 2000, pp. 63-71

Authors: Haslam, S
Citation: S. Haslam, A question of knowledge: James, Ford, The 'Beast in the Jungle', and A 'Call', HENRY JAMES, 21(1), 2000, pp. 72-82

Authors: Savoy, E
Citation: E. Savoy, A Small Boy and Others: Imitation and initiation in American culture from Henry James to Andy Warhol, HENRY JAMES, 21(1), 2000, pp. 83-86
Risultati: 1-25 | 26-50 | 51-75 | 76-100 | >>