Citation: Vw. Wexman, THE PORTRAIT OF A BODY (CAMPION,JANE CINEMATIC REINTERPRETATION OF JAMES,HENRY 'PORTRAIT OF A LADY'), The Henry James review, 18(2), 1997, pp. 184-186
Citation: Ol. Walton, JANE AND JAMES GO TO THE MOVIES - POST COLONIAL PORTRAITS OF A LADY (CAMPION,JANE FILM OF JAMES,HENRY 'PORTRAIT OF A LADY'), The Henry James review, 18(2), 1997, pp. 187-190
Citation: Dm. Bauer, CAMPION,JANE SYMBOLIC PORTRAIT (THE CINEMATIC REINTERPRETATION OF JAMES,HENRY 'PORTRAIT OF A LADY'), The Henry James review, 18(2), 1997, pp. 194-196
Citation: M. Bousquet, I DONT LIKE ISABEL-ARCHER (CAMPION,JANE FILM OF JAMES,HENRY 'PORTRAITOF A LADY'), The Henry James review, 18(2), 1997, pp. 197-199
Citation: Ag. James, THE FIELD MARSHAL, HIS LADY, AND THE EXQUISITE, METICULOUS DREAMER - THE FRIENDSHIP OF JAMES,HENRY AND LORD-WOLSELEY AND LADY-WOLSELEY, The Henry James review, 18(1), 1997, pp. 43-65
Citation: C. Hughes, THE COLOR OF LIFE -AND-WHITE FOR THE WARDROBE OF ISABEL-ARCHER - THE SIGNIFICANCE OF DRESS IN THE 'PORTRAIT OF A LADY'( JAMES,HENRY CHOICE OF BLACK), The Henry James review, 18(1), 1997, pp. 66-80
Citation: Rd. Hathaway, GHOSTS AT THE WINDOWS - SHADOW AND CORONA IN THE 'AMBASSADORS'( AMBIGUITY IN THE FICTION OF JAMES,HENRY ), The Henry James review, 18(1), 1997, pp. 81-96
Citation: S. Teahan, EXPULSION AND THE 19TH-CENTURY NOVEL - THE SCAPEGOAT IN ENGLISH REALIST FICTION - HEYNS,M, The Henry James review, 18(1), 1997, pp. 99-101