AAAAAA
Results: 1-25/693
Authors:
Shevtsova, M
Citation: M. Shevtsova, Social practice, interdisciplinary perspective - Introduction, THEAT RES I, 26(2), 2001, pp. 129-136
Authors:
Carlson, M
Citation: M. Carlson, Theatre and performance at a time of shifting disciplines, THEAT RES I, 26(2), 2001, pp. 137-144
Authors:
Case, SE
Citation: Se. Case, Feminism and performance: A post-disciplinary couple, THEAT RES I, 26(2), 2001, pp. 145-152
Authors:
Pavis, P
Citation: P. Pavis, Theatre studies and interdisciplinarity, THEAT RES I, 26(2), 2001, pp. 153-163
Authors:
Chaturvedi, R
Citation: R. Chaturvedi, Interdisciplinarity: A traditional aspect of Indian theatre, THEAT RES I, 26(2), 2001, pp. 164-171
Authors:
Nygaard, J
Citation: J. Nygaard, Local, open-air performances in Norway as interdisciplinary theatre, THEAT RES I, 26(2), 2001, pp. 172-180
Authors:
Boyle, C
Citation: C. Boyle, Text, time, process and history in contemporary Chilean theatre, THEAT RES I, 26(2), 2001, pp. 181-189
Authors:
Picon-Vallin, B
Citation: B. Picon-vallin, Passages, interactions, hybridizations: The theatre film, THEAT RES I, 26(2), 2001, pp. 190-198
Authors:
Causey, M
Citation: M. Causey, Stealing from God: The crisis of creation in Societas Raffaello Sanzio's 'Genesi' and Eduardo Kac's 'Genesis', THEAT RES I, 26(2), 2001, pp. 199-208
Authors:
Anderson, M
Citation: M. Anderson, Greek theatre performance: An introduction, THEAT RES I, 26(2), 2001, pp. 209-210
Authors:
Cordner, M
Citation: M. Cordner, Political passions: Gender, the family and political argument in England, 1680-1714, THEAT RES I, 26(2), 2001, pp. 210-211
Authors:
Davis, J
Citation: J. Davis, Visual ephemera: Theatrical art in nineteenth-century Australia, THEAT RES I, 26(2), 2001, pp. 211-212
Authors:
Senelick, L
Citation: L. Senelick, Theatrical costume, masks, make-up and wigs. A bibliography and iconography, THEAT RES I, 26(2), 2001, pp. 212-213
Authors:
Darling, S
Citation: S. Darling, Wearing the breeches: Gender on the antebellum stage, THEAT RES I, 26(2), 2001, pp. 213-214
Authors:
Chambers, C
Citation: C. Chambers, British theatre and the Red Peril: The portrayal of Communism, 1917-1945, THEAT RES I, 26(2), 2001, pp. 214-215
Authors:
Vineberg, S
Citation: S. Vineberg, Method acting reconsidered: Theory, practice, future, THEAT RES I, 26(2), 2001, pp. 215-216
Authors:
Diedrich, A
Citation: A. Diedrich, Embodied memory: The theatre of George Tabori, THEAT RES I, 26(2), 2001, pp. 216-217
Authors:
Baum, RK
Citation: Rk. Baum, On interpretation in the arts: Interdisciplinary studies in honor of MosheLazar, THEAT RES I, 26(2), 2001, pp. 217-218
Authors:
Kershaw, B
Citation: B. Kershaw, Legislative theatre, THEAT RES I, 26(2), 2001, pp. 218-219
Authors:
Reinelt, J
Citation: J. Reinelt, The Royal Court Theatre and the modern stage, THEAT RES I, 26(2), 2001, pp. 219-221
Authors:
Schumacher, C
Citation: C. Schumacher, The curtain is pulled down: Editorial (The last issue of Theatre Research International), THEAT RES I, 25(3), 2000, pp. 213-214
Authors:
Katritzky, MA
Citation: Ma. Katritzky, Comic stage routines in Guarinonius' medical treatise of 1610 (Visual and textual documentation relating to the commedia dell'arte), THEAT RES I, 25(3), 2000, pp. 217-232
Authors:
Williford, C
Citation: C. Williford, A computer reconstruction of Richelieu's Palais Cardinal Theatre, 1641 (Among the first purpose-built proscenium theatres in France), THEAT RES I, 25(3), 2000, pp. 233-247
Authors:
Schumaker, C
Citation: C. Schumaker, Would you splash out on a ticket to Moliere's Palais Royal? Seventeenth century Parisian theatre, THEAT RES I, 25(3), 2000, pp. 248-254
Authors:
Erne, L
Citation: L. Erne, Eighteenth century Swiss peasant meets Bard: Ulrich Braker's A Few Words About William Shakespeare's Plays (1780), THEAT RES I, 25(3), 2000, pp. 255-265