Citation: M. Shevtsova, INTERCULTURALISM, AESTHETICISM, ORIENTALISM - STARTING FROM BROOK,PETER 'MAHABHARATA', Theatre research international, 22(2), 1997, pp. 98-104
Citation: E. Lampe, DISRUPTIONS IN REPRESENTATION - BOGART,ANNE CREATIVE ENCOUNTER WITH EAST-ASIAN PERFORMANCE TRADITIONS, Theatre research international, 22(2), 1997, pp. 105-110
Citation: C. Dietrich, LES OPERA-PARFUMES, ASPECTS OF ORIENTALISM IN 19TH-CENTURY FRENCH OPERA, Theatre research international, 22(2), 1997, pp. 111-119
Citation: O. Okagbue, THE STRANGE AND THE FAMILIAR - INTERCULTURAL EXCHANGE BETWEEN AFRICANAND CARIBBEAN THEATER, Theatre research international, 22(2), 1997, pp. 120-129
Citation: S. Sussman et T. Day, 'ORIENTALIA', ORIENTALISM, AND THE PEKING-OPERA ARTIST AS SUBJECT IN CONTEMPORARY AUSTRALIAN PERFORMANCE, Theatre research international, 22(2), 1997, pp. 130-149
Citation: B. Singleton, PANIKKAR,K.N. 'TEYYATEYYAM' - RESISTING INTERCULTURALISM THROUGH RITUAL PRACTICE, Theatre research international, 22(2), 1997, pp. 162-169
Citation: J. Fisher, THE CORRESPONDENCE OF CRAIG,EDWARD,GORDON AND COUNT KESSLER,HARRY - NEWMAN,LM, Theatre research international, 22(2), 1997, pp. 173-174
Citation: Lj. Wolf, WOMEN IN DRAMATIC PLACE AND TIME - CONTEMPORARY FEMALE CHARACTERS ON STAGE - COUSIN,G, Theatre research international, 22(2), 1997, pp. 176-177
Citation: S. Wright, GUIDING THE PLOT - POLITICS AND FEMINISM IN THE WORK OF WOMEN PLAYWRIGHTS FROM SPAIN AND ARGENTINA - WITTE,A, Theatre research international, 22(2), 1997, pp. 176-176
Citation: E. Aston, SIGNS OF PERFORMANCE - AN INTRODUCTION TO 20TH-CENTURY THEATER - COUNSELL,C, Theatre research international, 22(2), 1997, pp. 178-178
Citation: W. Sauter, APPROACHING THE THEATRICAL EVENT - THE INFLUENCE OF SEMIOTICS AND HERMENEUTICS ON EUROPEAN THEATER STUDIES, Theatre research international, 22(1), 1997, pp. 4-13