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Table of contents of journal: *Theatre research international

Results: 301-325/693

Authors: VINCE R
Citation: R. Vince, THE ARISTOTELIAN THEATRICAL PARADIGM AS CULTURAL-HISTORICAL CONSTRUCT, Theatre research international, 22(1), 1997, pp. 38-47

Authors: JACKSON AR
Citation: Ar. Jackson, POSITIONING THE AUDIENCE - INTER-ACTIVE STRATEGIES AND THE AESTHETIC IN EDUCATIONAL THEATER, Theatre research international, 22(1), 1997, pp. 48-60

Authors: TORRESREYES ML
Citation: Ml. Torresreyes, THEATER AS AN ENCOUNTER OF CULTURES + THE CASE OF THE PHILIPPINES, Theatre research international, 22(1), 1997, pp. 61-68

Authors: DING LN
Citation: Ln. Ding, AT THE INTERSECTION OF EASTERN AND WESTERN THEATER - FORMS AND CONCEPTS OF CHINESE THEATER IN THE 1980S, Theatre research international, 22(1), 1997, pp. 69-72

Authors: GUNAWARDANA AJ
Citation: Aj. Gunawardana, IS IT THE END OF HISTORY FOR ASIA MODERN THEATERS, Theatre research international, 22(1), 1997, pp. 73-80

Authors: ROZIK E
Citation: E. Rozik, PERFORMANCE ANALYSIS + FOREWORD, Theatre research international, 22(1), 1997, pp. 1-2

Authors: SHEVTSOVA M
Citation: M. Shevtsova, SOCIOCULTURAL ANALYSIS - NATIONAL AND CROSS-CULTURAL PERFORMANCE, Theatre research international, 22(1), 1997, pp. 4-18

Authors: SINGLETON B
Citation: B. Singleton, RECEIVING LES 'ATRIDES' PRODUCTIVELY - MNOUCHKINE INTERCULTURAL SIGNSAS INTERTEXTS, Theatre research international, 22(1), 1997, pp. 19-23

Authors: BALME C
Citation: C. Balme, BEYOND STYLE - TYPOLOGIES OF PERFORMANCE ANALYSIS, Theatre research international, 22(1), 1997, pp. 24-30

Authors: WILCOX D
Citation: D. Wilcox, FINLEY,KAREN HYMEN + PERFORMANCE STYLE IN 'CONSTANT STATE OF DESIRE' AND A 'CERTAIN LEVEL OF DENIAL', Theatre research international, 22(1), 1997, pp. 31-37

Authors: NORDMANN A WICKERT H
Citation: A. Nordmann et H. Wickert, THE IMPOSSIBLE REPRESENTATION OF WONDER - SPACE SUMMONS MEMORY( A CLOSER LOOK AT A STAGING OF HANDKE,PETER THE 'HOUR WE KNEW NOTHING OF EACH OTHER' ), Theatre research international, 22(1), 1997, pp. 38-48

Authors: KAYNAR G
Citation: G. Kaynar, THE ACTOR AS PERFORMER OF THE IMPLIED SPECTATORS ROLE + NITZAN,OMRI DIRECTION OF GOLDONI 'THE SERVANT OF TWO MASTERS' AND MITTELPUNKT,HILLEL 'GORODISH, THE 7TH DAY', Theatre research international, 22(1), 1997, pp. 49-62

Authors: BLUM B
Citation: B. Blum, INTERACTION OF STYLE AND MEANING IN DRAMA AND PERFORMANCE - THE CASE OF 'BLOOD WEDDING', Theatre research international, 22(1), 1997, pp. 63-69

Authors: ANDERSON M
Citation: M. Anderson, TRAGEDY AND THE TRAGIC - GREEK THEATER AND BEYOND - SILK,MS, Theatre research international, 22(1), 1997, pp. 70-71

Authors: MACINTOSH F
Citation: F. Macintosh, THEATER IN ANCIENT-GREEK SOCIETY - GREEN,JR, Theatre research international, 22(1), 1997, pp. 70-70

Authors: FLETCHER A
Citation: A. Fletcher, MENANDER AND THE MAKING OF COMEDY - WALTON,JM, ARNOTT,PD, Theatre research international, 22(1), 1997, pp. 71-72

Authors: WUTRICH TR
Citation: Tr. Wutrich, GREEK TRAGEDY ON THE AMERICAN STAGE - ANCIENT DRAMA IN THE COMMERCIALTHEATER, 1882-1994 - HARTIGAN,KV, Theatre research international, 22(1), 1997, pp. 72-74

Authors: GRANTLEY D
Citation: D. Grantley, FESTIVE DRAMA - TWYCROSS,M, Theatre research international, 22(1), 1997, pp. 74-74

Authors: RABEY DI
Citation: Di. Rabey, SHAKESPEARE - AN ILLUSTRATED STAGE HISTORY - BATE,J, JACKSON,R, Theatre research international, 22(1), 1997, pp. 75-77

Authors: MCCABE RA
Citation: Ra. Mccabe, SHAKESPEARE SURVEY, VOL 48, SHAKESPEARE AND CULTURAL-EXCHANGE - WELLS,S, Theatre research international, 22(1), 1997, pp. 75-75

Authors: LEVIN E
Citation: E. Levin, ALLEGORIES OF KINGSHIP - CALDERON AND THE ANTI-MACHIAVELLIAN TRADITION - RUPP,S, Theatre research international, 22(1), 1997, pp. 77-77

Authors: DMONTE R
Citation: R. Dmonte, ENGLISH DRAMA 1660-1700 - HUGHES,D, Theatre research international, 22(1), 1997, pp. 77-78

Authors: BERGHAUS G
Citation: G. Berghaus, COURT THEATER - HISTORY OF THEATER AT VARIOUS COURTS IN THE 18TH AND 19TH-CENTURY - GERMAN - DANIEL,U, Theatre research international, 22(1), 1997, pp. 78-79

Authors: SARLOS RK
Citation: Rk. Sarlos, THEATER IN EUROPE - A DOCUMENTARY HISTORY - NATURALISM AND SYMBOLISM IN EUROPEAN THEATER, 1850-1918 - SCHUMACHER,C, Theatre research international, 22(1), 1997, pp. 79-80

Authors: ASTON E
Citation: E. Aston, THE EDWARDIAN THEATER - ESSAYS ON PERFORMANCE AND THE STAGE - BOOTH,MR, KAPLAN,JH, Theatre research international, 22(1), 1997, pp. 81-81
Risultati: << | 301-325 | 326-350 | 351-375 | 376-400 | >>