Citation: Ar. Jackson, POSITIONING THE AUDIENCE - INTER-ACTIVE STRATEGIES AND THE AESTHETIC IN EDUCATIONAL THEATER, Theatre research international, 22(1), 1997, pp. 48-60
Citation: Ln. Ding, AT THE INTERSECTION OF EASTERN AND WESTERN THEATER - FORMS AND CONCEPTS OF CHINESE THEATER IN THE 1980S, Theatre research international, 22(1), 1997, pp. 69-72
Citation: B. Singleton, RECEIVING LES 'ATRIDES' PRODUCTIVELY - MNOUCHKINE INTERCULTURAL SIGNSAS INTERTEXTS, Theatre research international, 22(1), 1997, pp. 19-23
Citation: D. Wilcox, FINLEY,KAREN HYMEN + PERFORMANCE STYLE IN 'CONSTANT STATE OF DESIRE' AND A 'CERTAIN LEVEL OF DENIAL', Theatre research international, 22(1), 1997, pp. 31-37
Citation: A. Nordmann et H. Wickert, THE IMPOSSIBLE REPRESENTATION OF WONDER - SPACE SUMMONS MEMORY( A CLOSER LOOK AT A STAGING OF HANDKE,PETER THE 'HOUR WE KNEW NOTHING OF EACH OTHER' ), Theatre research international, 22(1), 1997, pp. 38-48
Citation: G. Kaynar, THE ACTOR AS PERFORMER OF THE IMPLIED SPECTATORS ROLE + NITZAN,OMRI DIRECTION OF GOLDONI 'THE SERVANT OF TWO MASTERS' AND MITTELPUNKT,HILLEL 'GORODISH, THE 7TH DAY', Theatre research international, 22(1), 1997, pp. 49-62
Citation: B. Blum, INTERACTION OF STYLE AND MEANING IN DRAMA AND PERFORMANCE - THE CASE OF 'BLOOD WEDDING', Theatre research international, 22(1), 1997, pp. 63-69
Citation: Tr. Wutrich, GREEK TRAGEDY ON THE AMERICAN STAGE - ANCIENT DRAMA IN THE COMMERCIALTHEATER, 1882-1994 - HARTIGAN,KV, Theatre research international, 22(1), 1997, pp. 72-74
Citation: E. Levin, ALLEGORIES OF KINGSHIP - CALDERON AND THE ANTI-MACHIAVELLIAN TRADITION - RUPP,S, Theatre research international, 22(1), 1997, pp. 77-77
Citation: G. Berghaus, COURT THEATER - HISTORY OF THEATER AT VARIOUS COURTS IN THE 18TH AND 19TH-CENTURY - GERMAN - DANIEL,U, Theatre research international, 22(1), 1997, pp. 78-79
Citation: Rk. Sarlos, THEATER IN EUROPE - A DOCUMENTARY HISTORY - NATURALISM AND SYMBOLISM IN EUROPEAN THEATER, 1850-1918 - SCHUMACHER,C, Theatre research international, 22(1), 1997, pp. 79-80
Citation: E. Aston, THE EDWARDIAN THEATER - ESSAYS ON PERFORMANCE AND THE STAGE - BOOTH,MR, KAPLAN,JH, Theatre research international, 22(1), 1997, pp. 81-81