Citation: L. Senelick, FROM STANISLAVSKY TO GORBACHEV, THE THEATER-STUDIOS OF LENINGRAD - STENBERG,DG, Theatre research international, 21(1), 1996, pp. 86-86
Citation: O. Okagbue, WALCOTT,DEREK AND WEST-INDIAN DRAMA - NOT ONLY A PLAYWRIGHT BUT A COMPANY - THE TRINIDAD-THEATER-WORKSHOP 1959-1993 - KING,B, Theatre research international, 21(1), 1996, pp. 87-88
Citation: N. Warrington, MAKING PLAYS - THE WRITER-DIRECTOR RELATIONSHIP IN THE THEATER TODAY - NELSON,R, JONES,D, Theatre research international, 21(1), 1996, pp. 88-89
Citation: B. Singleton, ENCOUNTERS WITH MNOUCHKINE,ARIANE - TO RAISE AN EPHEMERAL MONUMENT - FRENCH - FERAL,J, Theatre research international, 21(1), 1996, pp. 91-91
Citation: C. Ashby, THE 3-ACTOR RULE + APPLICATIONS TO THE EXTANT TRAGEDIES AND THE EFFECT IT HAD UPON ACTING AND PRODUCTION PRACTICES DURING THE CLASSIC PERIOD, Theatre research international, 20(3), 1995, pp. 183-188
Citation: M. Anderson, THE LAW OF WRIT AND THE LIBERTY -DELLARTE( ELIZABETHAN THEATER AND THE COMMEDIA), Theatre research international, 20(3), 1995, pp. 189-199
Citation: C. Diamond, CRACKS IN THE ARCH OF ILLUSION, CONTEMPORARY EXPERIMENTS IN TAIWAN PEKING-OPERA, Theatre research international, 20(3), 1995, pp. 237-254
Citation: Di. Rabey, A REVIEW OF PLAYTEXTS PUBLISHED IN BRITAIN, 1994 + A BIBLIOGRAPHIC UPDATE, Theatre research international, 20(3), 1995, pp. 277-281
Citation: M. Anderson, DYING ACTS - DEATH IN ANCIENT-GREEK AND MODERN IRISH TRAGIC DRAMA - MACINTOSH,F, Theatre research international, 20(3), 1995, pp. 282-282
Citation: L. Senelick, MEN IN WOMENS CLOTHING - ANTI-THEATRICALITY AND EFFEMINIZATION 1579-1642 - LEVINE,L, Theatre research international, 20(3), 1995, pp. 283-284