Citation: J. Milling, IN THE THEATER OF ROMANTICISM - COLERIDGE, NATIONALISM, WOMEN - CARLSON,JA, Theatre research international, 20(2), 1995, pp. 166-166
Citation: V. Gottlieb, IS COMRADE BULGAKOV DEAD - BULGAKOV,MIKHAIL AT THE MOSCOW-ART-THEATER- SMELIANSKY,A, Theatre research international, 20(2), 1995, pp. 167-168
Citation: B. Naismith, KICKING AGAINST THE PRICKS - A THEATER PRODUCER LOOKS BACK - LEWENSTEIN,O, Theatre research international, 20(2), 1995, pp. 169-170
Citation: D. Krasner, AFRICAN-AMERICAN THEATER - AN HISTORICAL AND CRITICAL ANALYSIS - HAY,SA, Theatre research international, 20(2), 1995, pp. 170-171
Citation: J. Gibbs, THE CAMBRIDGE GUIDE TO AFRICAN AND CARIBBEAN THEATER - BANHAM,M, HILL,E, WOODYARD,G, Theatre research international, 20(2), 1995, pp. 171-172
Citation: M. Banham, THEATER AND PERFORMANCE IN AFRICA - INTERCULTURAL PERSPECTIVES - BREITINGER,E, Theatre research international, 20(2), 1995, pp. 172-173
Citation: K. Marra, PERFORMING WOMEN - FEMALE CHARACTERS, MALE PLAYWRIGHTS, AND THE MODERN STAGE - CIMA,GG, Theatre research international, 20(2), 1995, pp. 173-175
Citation: S. Wolf, GAY AND LESBIAN AMERICAN PLAYS - AN ANNOTATED-BIBLIOGRAPHY - FURTADO,K, HELLNER,N, Theatre research international, 20(2), 1995, pp. 175-176
Citation: Am. Taylor, PAPERBACK THEATER - THE YOUNG-VIC AND ITS IMPORTANCE FOR ENGLISH THEATER - GERMAN - ZETTNER,M, Theatre research international, 20(2), 1995, pp. 176-177
Citation: D. Dokter, THE HANDBOOK OF DRAMATHERAPY - JENNINGS,S, CATTANACH,A, MITCHELL,S, CHESNER,A, MELDRUM,B, Theatre research international, 20(2), 1995, pp. 177-178
Citation: D. Dokter, PERSONA AND PERFORMANCE - THE MEANING OF ROLE IN DRAMA, THERAPY AND EVERYDAY LIFE - LANDY,R, Theatre research international, 20(2), 1995, pp. 178-179
Citation: C. Poulter, LEARNING THROUGH THEATER - NEW PERSPECTIVES ON THEATER AND EDUCATION - JACKSON,T, Theatre research international, 20(2), 1995, pp. 179-179
Citation: T. Malachy, SARTRE,JEAN-PAUL, PLAYWRIGHT AND SCRIPTWRITER, 'HUIS CLOS' AND LES 'JEUX SONT FAITS', Theatre research international, 20(1), 1995, pp. 37-41
Citation: R. Li, MACBETH BECOMES MA-PEI, AN ODYSSEY FROM SCOTLAND TO CHINA -STAINED HANDS' (XIE SHOU JI) ADAPTED FROM SHAKESPEARE( 'BLOOD), Theatre research international, 20(1), 1995, pp. 42-53