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Results: 76-100/693
Authors:
Malka, L
Citation: L. Malka, 'Woyzeck 91': A world without intimacy (Play directed by Rina Yerushalmi), THEAT RES I, 25(1), 2000, pp. 29-39
Authors:
Bryant-Bertail, S
Citation: S. Bryant-bertail, The 'Trojan Women a Love Story': A postmodern semiotics of the tragic (Charles Mee's play), THEAT RES I, 25(1), 2000, pp. 40-52
Authors:
Kaynar, G
Citation: G. Kaynar, A 'Jew in the Dark': The aesthetics of absence, monodrama as evocation andformation of "genetic" collective memory (Oren Neeman's monodrama), THEAT RES I, 25(1), 2000, pp. 53-63
Authors:
Kreuder, F
Citation: F. Kreuder, Theatre as a medium of recollection: Klaus Michael Gruber's and Antonio Recalcati's Rudi installation (1979), THEAT RES I, 25(1), 2000, pp. 64-73
Authors:
Wilcox, D
Citation: D. Wilcox, The defamiliarization of a significant phenomenon (A semiotic reading of Robert Wilson's plays, using Meyer Shapiro's essay "On some Problems in the Semiotics of the Visual Arts"), THEAT RES I, 25(1), 2000, pp. 74-85
Authors:
Baugh, C
Citation: C. Baugh, English court theatre 1558-1642, THEAT RES I, 25(1), 2000, pp. 87-88
Authors:
Anderson, M
Citation: M. Anderson, Spectacle entertainments of early imperial Rome, THEAT RES I, 25(1), 2000, pp. 87-87
Authors:
McManus, C
Citation: C. Mcmanus, Re-presenting Ben Jonson: Text, history, performance, THEAT RES I, 25(1), 2000, pp. 88-89
Authors:
Fernie, E
Citation: E. Fernie, Ben Jonson and theatre, THEAT RES I, 25(1), 2000, pp. 88-88
Authors:
Jackson, R
Citation: R. Jackson, A 'Midsummer Night's Dream': Critical essays, THEAT RES I, 25(1), 2000, pp. 89-90
Authors:
Jackson, R
Citation: R. Jackson, Our moonlight revels: A 'Midsummer Night's Dream' in the theatre, THEAT RES I, 25(1), 2000, pp. 89-90
Authors:
Jackson, R
Citation: R. Jackson, A 'Midsummer Night's Dream', THEAT RES I, 25(1), 2000, pp. 89-90
Authors:
Connolly, TF
Citation: Tf. Connolly, Modern games with Renaissance forms: From Leonardo and Shakespeare to Warhol and Stoppard, THEAT RES I, 25(1), 2000, pp. 90-90
Authors:
Shepherd-Barr, K
Citation: K. Shepherd-barr, Ibsen, Strindberg and the intimate theatre: Studies in television presentation, THEAT RES I, 25(1), 2000, pp. 91-91
Authors:
Bassnett, S
Citation: S. Bassnett, Luigi Pirandello: Contemporary perspectives, THEAT RES I, 25(1), 2000, pp. 91-92
Authors:
Gonzalez, M
Citation: M. Gonzalez, Political theatre during the Spanish Civil War, THEAT RES I, 25(1), 2000, pp. 92-92
Authors:
McMullan, A
Citation: A. Mcmullan, Samuel Beckett and the arts: Music, Visual arts and non-print media, THEAT RES I, 25(1), 2000, pp. 93-94
Authors:
Kaynar, G
Citation: G. Kaynar, Drama and ideology in modern Israeli, THEAT RES I, 25(1), 2000, pp. 94-95
Authors:
Pfisterer, S
Citation: S. Pfisterer, Australian women's drama: Texts and feminisms, THEAT RES I, 25(1), 2000, pp. 95-95
Authors:
Maxwell, I
Citation: I. Maxwell, Performing the unnameable: An anthology of Australian performance texts, THEAT RES I, 25(1), 2000, pp. 95-96
Authors:
Maxwell, I
Citation: I. Maxwell, Dis/Orientations: Cultural praxis in theatre in Asia, Pacific, Australia, THEAT RES I, 25(1), 2000, pp. 96-97
Authors:
Banham, M
Citation: M. Banham, The World Encyclopedia of Contemporary Theatre, Vol 5, The Arab world, THEAT RES I, 25(1), 2000, pp. 97-98
Authors:
Willcox, D
Citation: D. Willcox, Liveness: Performance in mediatized culture, THEAT RES I, 25(1), 2000, pp. 98-99
Authors:
Case, SE
Citation: Se. Case, Performing feminism on the international stage: Introduction, THEAT RES I, 24(3), 1999, pp. 235-239
Authors:
Shim, JS
Citation: Js. Shim, The Confucian difference; Yin/Yang feminism in Korean women's dramas, THEAT RES I, 24(3), 1999, pp. 241-246