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Results: 101-125/693
Authors:
Aston, E
Citation: E. Aston, Geographies of oppression - The cross-border politics of (M)othering; The 'Break of Day' and A 'Yearning' (Timberlake Wertenbaker and Ruth Carter's feminist theater), THEAT RES I, 24(3), 1999, pp. 247-253
Authors:
Tonooka, N
Citation: N. Tonooka, Desire and sexual (In)difference: Constructing lesbian self in Tari Ito's performance with the skin, THEAT RES I, 24(3), 1999, pp. 254-258
Authors:
Czekay, A
Citation: A. Czekay, Moving beyond imaginary walls: FIT's handbook 'Women in European Theatre Today' (The feminist working group, Frauen-im-Theater (Women-in-theatre), invites women to write about their own cultural heritage), THEAT RES I, 24(3), 1999, pp. 259-263
Authors:
Diamond, E
Citation: E. Diamond, Polly-Dick and the politics of Fisicofollia (Artist, arsonist, and suffragette Mary Richardson's shocking act of high-cultural vandalism at London's National-Gallery), THEAT RES I, 24(3), 1999, pp. 264-267
Authors:
Yan, H
Citation: H. Yan, Urbanizing woman and her sisters: The ethics of gender in Chinese television dramas, THEAT RES I, 24(3), 1999, pp. 268-275
Authors:
Haring-Smith, T
Citation: T. Haring-smith, Encoding female sexual desire on the Egyptian stage, THEAT RES I, 24(3), 1999, pp. 276-280
Authors:
Mezur, K
Citation: K. Mezur, Japanese deconstructions of the female body, THEAT RES I, 24(3), 1999, pp. 281-287
Authors:
Arrizon, A
Citation: A. Arrizon, Transculturation and gender in US Latina performance, THEAT RES I, 24(3), 1999, pp. 288-292
Authors:
Anderson, M
Citation: M. Anderson, Classical Greek theatre: New views of an old subject, THEAT RES I, 24(3), 1999, pp. 293-293
Authors:
Baugh, C
Citation: C. Baugh, Enter the whole army: A pictorial study of Shakespearean stagings, 1576-1616, THEAT RES I, 24(3), 1999, pp. 293-294
Authors:
DMonte, R
Citation: R. Dmonte, The politics of performance in Early Renaissance drama, THEAT RES I, 24(3), 1999, pp. 294-294
Authors:
Gilman, T
Citation: T. Gilman, Homosexualities in the English theatre: From Lyly to Wilde, THEAT RES I, 24(3), 1999, pp. 295-295
Authors:
Black, SA
Citation: Sa. Black, Struggle, defeat or rebirth: Eugene O'Neill's vision of humanity, THEAT RES I, 24(3), 1999, pp. 295-295
Authors:
Gargano, C
Citation: C. Gargano, Body ascendant: Modernism and the physical imperative, THEAT RES I, 24(3), 1999, pp. 296-296
Authors:
Staffprd, A
Citation: A. Staffprd, Theatre-Populaire, 1953-1964: History of a revue-engagee, THEAT RES I, 24(3), 1999, pp. 297-297
Authors:
Plastow, J
Citation: J. Plastow, Theatre and society in South-Africa; Reflections in a fractured mirror, THEAT RES I, 24(3), 1999, pp. 297-298
Authors:
McGowan, M
Citation: M. Mcgowan, Gardzienice: Polish theatre in transition, THEAT RES I, 24(3), 1999, pp. 298-299
Authors:
Rebellato, D
Citation: D. Rebellato, British theatre since the war, THEAT RES I, 24(3), 1999, pp. 299-299
Authors:
Scolnicov, H
Citation: H. Scolnicov, Exploring the limits of self-portraiture in Le 'Jeu de la feuillee', THEAT RES I, 24(2), 1999, pp. 125-130
Authors:
Jensen, CR
Powell, JS
Citation: Cr. Jensen et Js. Powell, 'A-mess-of-Russians-left-us-but-of-late': Diplomatic blunder, literary satire, and the Muscovite Ambassador's 1668 visit to Paris theatres, THEAT RES I, 24(2), 1999, pp. 131-144
Authors:
Shepherd, S
Citation: S. Shepherd, Blood, thunder and theory: The arrival of English melodrama, THEAT RES I, 24(2), 1999, pp. 145-151
Authors:
Shepherd-Baer, K
Citation: K. Shepherd-baer, 'Mise-en-scent': The Theatre-d'Art's 'Cantique des Cantiques' and the use of smell as a theatrical device, THEAT RES I, 24(2), 1999, pp. 152-159
Authors:
Katritzky, MA
Citation: Ma. Katritzky, Aby Warburg's 'costumi-teatrali' (1895) and the art historical foundationsof theatre iconography, THEAT RES I, 24(2), 1999, pp. 160-167
Authors:
Fischer-Lichte, E
Citation: E. Fischer-lichte, From text to performance: The rise of theatre studies as an academic discipline in Germany, THEAT RES I, 24(2), 1999, pp. 168-178
Authors:
Li, R
Citation: R. Li, 'False-but-true, empty-but-full, few-but-many' - The dialectic concepts intraditional Chinese performance art and painting, THEAT RES I, 24(2), 1999, pp. 179-187