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Results: 126-150/693
Authors:
Aronson, A
Citation: A. Aronson, Technology and dramaturgical development: Five observations, THEAT RES I, 24(2), 1999, pp. 188-197
Authors:
Rozik, E
Citation: E. Rozik, The corporeality of the actor's body: The boundaries of theatre and the limitations of semiotic methodology, THEAT RES I, 24(2), 1999, pp. 198-211
Authors:
Langille, EM
Citation: Em. Langille, The stage as mirror: Civic theatre in the late Middle Ages, THEAT RES I, 24(2), 1999, pp. 213-213
Authors:
McCabe, R
Citation: R. Mccabe, English drama 1586-1642: The age of Shakespeare, THEAT RES I, 24(2), 1999, pp. 213-214
Authors:
Mangan, M
Citation: M. Mangan, Gender and performance in Shakespeare's problem comedies, THEAT RES I, 24(2), 1999, pp. 214-215
Authors:
Mangan, M
Citation: M. Mangan, Renaissance drama in action: An introduction to aspects of theatre practice and performance, THEAT RES I, 24(2), 1999, pp. 214-215
Authors:
Youssef, M
Citation: M. Youssef, The Egyptian theatre in the nineteenth century, 1799-1882, THEAT RES I, 24(2), 1999, pp. 215-216
Authors:
Singleton, B
Citation: B. Singleton, The Orient and The Boulevards: Exoticism, empire and nineteenth-century French theaters, THEAT RES I, 24(2), 1999, pp. 216-217
Authors:
Gottlieb, V
Citation: V. Gottlieb, Women in Russian theatre: The actress in The Silver Age, THEAT RES I, 24(2), 1999, pp. 217-218
Authors:
Herrmann, HCV
Citation: Hcv. Herrmann, Max Herrmann and the beginnings of theater studies: With some previously unpublished material, THEAT RES I, 24(2), 1999, pp. 218-219
Authors:
Fischer-Lichte, E
Citation: E. Fischer-lichte, Shakespeare on the German stage: The twentieth century, THEAT RES I, 24(2), 1999, pp. 219-220
Authors:
Feinstein, SC
Citation: Sc. Feinstein, Staging the Holocaust: The Shoah in drama and performance, THEAT RES I, 24(2), 1999, pp. 220-221
Authors:
Shevtsova, M
Citation: M. Shevtsova, Brecht and method, THEAT RES I, 24(2), 1999, pp. 221-222
Authors:
Wilcox, D
Citation: D. Wilcox, The theatre of Heiner Muller, THEAT RES I, 24(2), 1999, pp. 222-223
Authors:
Wallis, M
Citation: M. Wallis, We must love one another or die. The life and legacies of Larry Kramer, THEAT RES I, 24(2), 1999, pp. 223-223
Authors:
Wallis, M
Citation: M. Wallis, House of games: Making theatre from everyday life, THEAT RES I, 24(2), 1999, pp. 223-224
Authors:
Wallis, M
Citation: M. Wallis, Theatre praxis: Teaching drama through practice, THEAT RES I, 24(2), 1999, pp. 223-224
Authors:
Heddon, DE
Citation: De. Heddon, Radical street performance: An international anthology, THEAT RES I, 24(2), 1999, pp. 224-225
Authors:
Crow, B
Citation: B. Crow, Theatre matters: Performance and culture on the world stage, THEAT RES I, 24(2), 1999, pp. 225-226
Authors:
Banham, M
Citation: M. Banham, The world encyclopedia of contemporary theatre, vol 5, Asia/Pacific, THEAT RES I, 24(2), 1999, pp. 225-225
Authors:
Fitzpatrick, T
Citation: T. Fitzpatrick, Stage management, dramaturgy and spatial semiotics in Shakespeare's dialogue, THEAT RES I, 24(1), 1999, pp. 1-22
Authors:
Haruo, S
Leiter, SL
Citation: S. Haruo et Sl. Leiter, The birth of the Hanamichi (Kabuki theatre, Japan), THEAT RES I, 24(1), 1999, pp. 24-41
Authors:
Borovsky, V
Citation: V. Borovsky, Theatre administration at the court of Catherine II: The reforms of Ivan Elagin, THEAT RES I, 24(1), 1999, pp. 42-53
Authors:
Milhous, J
Citation: J. Milhous, Painters and paint at the Pantheon Opera, 1790-1792, THEAT RES I, 24(1), 1999, pp. 54-70
Authors:
Taylor, G
Citation: G. Taylor, Francois Delsarte: A codification of nineteenth-century acting, THEAT RES I, 24(1), 1999, pp. 71-81