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Results: 151-175/693
Authors:
Senelick, L
Citation: L. Senelick, Double vision: Second Empire theatre in stereographs, THEAT RES I, 24(1), 1999, pp. 82-88
Authors:
Sellers-Young, B
Citation: B. Sellers-young, Technique and the embodied actor, THEAT RES I, 24(1), 1999, pp. 89-97
Authors:
Shevtsova, M
Citation: M. Shevtsova, Bells and alarm clocks: Theatre and theatre research at the millennium, THEAT RES I, 24(1), 1999, pp. 98-108
Authors:
Anderson, M
Citation: M. Anderson, The Cambridge companion to Greek tragedy, THEAT RES I, 24(1), 1999, pp. 109-110
Authors:
Billington, S
Citation: S. Billington, Fools and jesters at the English court, THEAT RES I, 24(1), 1999, pp. 110-110
Authors:
Burnett, MT
Citation: Mt. Burnett, Marlowe's counterfeit profession: Ovid, Spenser, counter-nationhood, THEAT RES I, 24(1), 1999, pp. 110-111
Authors:
Rabey, DI
Citation: Di. Rabey, 'Coriolanus' on stage in England and America, 1609-1994, THEAT RES I, 24(1), 1999, pp. 111-112
Authors:
Riis, T
Citation: T. Riis, Tavern singing in early Victorian London: The diaries of Charles Rice for 1840 and 1850, THEAT RES I, 24(1), 1999, pp. 112-113
Authors:
Shafer, Y
Citation: Y. Shafer, Ibsen and early modernist theatre, 1890-1900, THEAT RES I, 24(1), 1999, pp. 113-114
Authors:
Mandl, B
Citation: B. Mandl, American women playwrights, 1900-1950, THEAT RES I, 24(1), 1999, pp. 114-115
Authors:
Roberts, B
Citation: B. Roberts, Straight acting: Popular gay drama from Wilde to Rattigan, THEAT RES I, 24(1), 1999, pp. 114-114
Authors:
McMullan, A
Citation: A. Mcmullan, Beckett before 'Godot': The formative years, 1929-1946, THEAT RES I, 24(1), 1999, pp. 115-116
Authors:
Vince, R
Citation: R. Vince, Later stages: Essays in Ontario theatre form the First World War to the 1970s, THEAT RES I, 24(1), 1999, pp. 116-117
Authors:
McKinnon, A
Citation: A. Mckinnon, Peggy: The life of Margaret Ramsay, play agent, THEAT RES I, 24(1), 1999, pp. 117-118
Authors:
Shellard, D
Citation: D. Shellard, Peter Shaffer: Theatre and drama, THEAT RES I, 24(1), 1999, pp. 118-118
Authors:
Wilcher, R
Citation: R. Wilcher, Politics in performance: The production work of Edward Bond, 1978-1990, THEAT RES I, 24(1), 1999, pp. 118-119
Authors:
Porter, L
Citation: L. Porter, Sam Shepard and the American theatre, THEAT RES I, 24(1), 1999, pp. 119-120
Authors:
Roberts, B
Citation: B. Roberts, Teaching Shakespeare in twenty-first century, THEAT RES I, 24(1), 1999, pp. 120-121
Authors:
ARMSTRONG G
Citation: G. Armstrong, CIVIL-WAR AND CIVIL DISCORD - THEATRICAL REPRESENTATION OF THE COMMONWILL AND THE SINGLE HEART IN THE TERRIBLE CENTURY, Theatre research international, 23(1), 1998, pp. 1-6
Authors:
STITES R
Citation: R. Stites, TRIAL AS THEATER IN THE RUSSIAN-REVOLUTION, Theatre research international, 23(1), 1998, pp. 7-13
Authors:
MACGREGOR C
Citation: C. Macgregor, UNDOING THE BODY-POLITIC - REPRESENTING RAPE IN 'WOMEN BEWARE WOMEN' (MIDDLETON,THOMAS TRAGEDY), Theatre research international, 23(1), 1998, pp. 14-23
Authors:
LAFON D
Citation: D. Lafon, FROM BEHIND THE SCENES OF HISTORY TO BACK STAGE AT THE THEATER - QUEBECOIS DRAMATURGY AND THE OCTOBER CRISIS, Theatre research international, 23(1), 1998, pp. 24-37
Authors:
UKPOKODU IP
Citation: Ip. Ukpokodu, THEATER AND POLITICAL DISCORD - THEATER REBELS OF ZIMBABWE AND KENYA, Theatre research international, 23(1), 1998, pp. 38-43
Authors:
MCCARTHY J
Citation: J. Mccarthy, MILITANT MARIONETTES - 2 LOST PUPPET PLAYS OF THE SPANISH-CIVIL-WAR, 1936-39, Theatre research international, 23(1), 1998, pp. 44-50
Authors:
SKLOOT R
Citation: R. Skloot, WHERE DOES IT HURT - GENOCIDE, THE THEATER AND THE HUMAN-BODY, Theatre research international, 23(1), 1998, pp. 51-58