Citation: Mx. Zelenak, THE TROUBLESOME REIGN OF KING OEDIPUS - CIVIC DISCOURSE AND CIVIL DISCORD IN GREEK TRAGEDY, Theatre research international, 23(1), 1998, pp. 69-78
Citation: R. Axton, EARLY CAMBRIDGE THEATERS - COLLEGE, UNIVERSITY AND TOWN STAGES, 1454-1720 - NELSON,AH, Theatre research international, 23(1), 1998, pp. 79-79
Citation: Am. Taylor, KROETZ,FRANZ,XAVIER - THE CONSTRUCTION OF A POLITICAL AESTHETIC - MATTSON,M, Theatre research international, 23(1), 1998, pp. 83-84
Citation: D. Meyerdinkgrafe, CONSCIOUSNESS, LITERATURE AND THEATER - THEORY AND BEYOND - MALEKIN,P, YARROW,R, Theatre research international, 23(1), 1998, pp. 84-85
Citation: Lj. Wolf, FEMINIST STAGES - INTERVIEWS WITH WOMEN IN CONTEMPORARY BRITISH THEATER - GOODMAN,L, Theatre research international, 23(1), 1998, pp. 88-89
Citation: De. Heddon, PUTTING YOUR DAUGHTERS ON THE STAGE - LESBIAN THEATER FROM THE 1970S TO THE 1990S - FREEMAN,S, Theatre research international, 23(1), 1998, pp. 89-89
Citation: D. Shellard, DRAMA ON DRAMA - DIMENSIONS OF THEATRICALITY ON THE CONTEMPORARY BRITISH STAGE - BOIREAU,N, Theatre research international, 23(1), 1998, pp. 89-90
Citation: M. Wallis, FROM ACTING TO PERFORMANCE - ESSAYS IN MODERNISM AND POSTMODERNISM - AUSLANDER,P, Theatre research international, 23(1), 1998, pp. 90-91
Citation: D. Bradby et M. Noonan, Women give voice to women - Feminist theory in practice on the French stage - Introduction, THEAT RES I, 23(3), 1998, pp. 197-199
Citation: L. Taylor, Sound tracks: the soundscapes of 'India Song' (In both the play and the film of 'Marguerite!Duras''s work no verbal exchange takes place), THEAT RES I, 23(3), 1998, pp. 205-214