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Table of contents of journal: *Theatre research international

Results: 176-200/693

Authors: RANALD ML
Citation: Ml. Ranald, WAR AND ITS SURROGATES - MALE COMBAT SPORTS AND WOMENS ROLES, Theatre research international, 23(1), 1998, pp. 59-68

Authors: ZELENAK MX
Citation: Mx. Zelenak, THE TROUBLESOME REIGN OF KING OEDIPUS - CIVIC DISCOURSE AND CIVIL DISCORD IN GREEK TRAGEDY, Theatre research international, 23(1), 1998, pp. 69-78

Authors: AXTON R
Citation: R. Axton, EARLY CAMBRIDGE THEATERS - COLLEGE, UNIVERSITY AND TOWN STAGES, 1454-1720 - NELSON,AH, Theatre research international, 23(1), 1998, pp. 79-79

Authors: THOMSON P
Citation: P. Thomson, THE SHAKESPEAREAN PLAYING COMPANIES - GURR,A, Theatre research international, 23(1), 1998, pp. 79-80

Authors: MCCABE RA
Citation: Ra. Mccabe, SHAKESPEARES THEORY OF DRAMA - KIERNAN,P, Theatre research international, 23(1), 1998, pp. 80-81

Authors: WHITTON D
Citation: D. Whitton, BEAUMARCHAIS AND THE THEATER - HOWARTH,WD, Theatre research international, 23(1), 1998, pp. 81-82

Authors: MACINTOSH F
Citation: F. Macintosh, GENUINE FALSE DRAMA - FRENCH - SCHERER,J, Theatre research international, 23(1), 1998, pp. 82-82

Authors: OSBORNE J
Citation: J. Osborne, THE PLAYS OF KLEIST,HEINRICH,VON - IDEALS AND ILLUSIONS - ALLAN,S, Theatre research international, 23(1), 1998, pp. 82-83

Authors: TAYLOR AM
Citation: Am. Taylor, KROETZ,FRANZ,XAVIER - THE CONSTRUCTION OF A POLITICAL AESTHETIC - MATTSON,M, Theatre research international, 23(1), 1998, pp. 83-84

Authors: MEYERDINKGRAFE D
Citation: D. Meyerdinkgrafe, CONSCIOUSNESS, LITERATURE AND THEATER - THEORY AND BEYOND - MALEKIN,P, YARROW,R, Theatre research international, 23(1), 1998, pp. 84-85

Authors: BANHAM M
Citation: M. Banham, WORLD ENCYCLOPEDIA OF CONTEMPORARY THEATER - VOL 3, AFRICA - DIAKHATE,O, Theatre research international, 23(1), 1998, pp. 85-86

Authors: LI R
Citation: R. Li, CHINESE THEATER AND THE ACTOR IN PERFORMANCE - RILEY,J, Theatre research international, 23(1), 1998, pp. 86-86

Authors: SCULLION A
Citation: A. Scullion, WEST END WOMEN - WOMEN AND THE LONDON STAGE, 1918-1962 - GALE,MB, Theatre research international, 23(1), 1998, pp. 87-88

Authors: LEWIS L
Citation: L. Lewis, THE 20TH-CENTURY PERFORMANCE READER - HUXLEY,M, WITTS,N, Theatre research international, 23(1), 1998, pp. 87-87

Authors: WOLF LJ
Citation: Lj. Wolf, FEMINIST STAGES - INTERVIEWS WITH WOMEN IN CONTEMPORARY BRITISH THEATER - GOODMAN,L, Theatre research international, 23(1), 1998, pp. 88-89

Authors: HEDDON DE
Citation: De. Heddon, PUTTING YOUR DAUGHTERS ON THE STAGE - LESBIAN THEATER FROM THE 1970S TO THE 1990S - FREEMAN,S, Theatre research international, 23(1), 1998, pp. 89-89

Authors: SHELLARD D
Citation: D. Shellard, DRAMA ON DRAMA - DIMENSIONS OF THEATRICALITY ON THE CONTEMPORARY BRITISH STAGE - BOIREAU,N, Theatre research international, 23(1), 1998, pp. 89-90

Authors: WALLIS M
Citation: M. Wallis, FROM ACTING TO PERFORMANCE - ESSAYS IN MODERNISM AND POSTMODERNISM - AUSLANDER,P, Theatre research international, 23(1), 1998, pp. 90-91

Authors: DIEHL HA
Citation: Ha. Diehl, MOURNING SEX - PERFORMING PUBLIC MEMORIES - PHELAN,P, Theatre research international, 23(1), 1998, pp. 91-92

Authors: Bradby, D Noonan, M
Citation: D. Bradby et M. Noonan, Women give voice to women - Feminist theory in practice on the French stage - Introduction, THEAT RES I, 23(3), 1998, pp. 197-199

Authors: Lewis, VH
Citation: Vh. Lewis, Warriors and runaways: Monique Wittig's Le 'Voyage sans fin', THEAT RES I, 23(3), 1998, pp. 200-204

Authors: Taylor, L
Citation: L. Taylor, Sound tracks: the soundscapes of 'India Song' (In both the play and the film of 'Marguerite!Duras''s work no verbal exchange takes place), THEAT RES I, 23(3), 1998, pp. 205-214

Authors: Noonan, M
Citation: M. Noonan, The spatialization of loss in the theatre of Marguerite Duras, THEAT RES I, 23(3), 1998, pp. 215-224

Authors: Miller, J
Citation: J. Miller, Caribbean women playwrights: Madness, memory, but not melancholia, THEAT RES I, 23(3), 1998, pp. 225-232

Authors: Beach, C
Citation: C. Beach, A-Table: The power of food in French women's theatre, THEAT RES I, 23(3), 1998, pp. 233-241
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