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Results: 201-225/693
Authors:
Freeman, S
Citation: S. Freeman, Bisexuality in Cixous's Le 'Nom d'OEdipe', THEAT RES I, 23(3), 1998, pp. 242-248
Authors:
Freeman, S
Citation: S. Freeman, 'Each in our open-ended way, we are multitudinous' - Les 'Nombres', by Andree Chedid, THEAT RES I, 23(3), 1998, pp. 249-254
Authors:
Dobson, J
Citation: J. Dobson, The scene of writing: The representation of poetic identity in Cixous's recent theatre, THEAT RES I, 23(3), 1998, pp. 255-260
Authors:
Terneuil, A
Citation: A. Terneuil, Violence and revolt of women in the theatre of Marguerite Yourcenar, Nathalie Sarraute and Marguerite Duras, THEAT RES I, 23(3), 1998, pp. 261-266
Authors:
Minogue, V
Citation: V. Minogue, "Nest-on pas tous pareils"? Nathalie Sarraute and the question of gender, THEAT RES I, 23(3), 1998, pp. 267-274
Authors:
Phillips, J
Citation: J. Phillips, The repressed feminine: Nathalie Sarraute's 'Elle est la', THEAT RES I, 23(3), 1998, pp. 275-282
Authors:
McCabe, RA
Citation: Ra. Mccabe, Big-time Shakespeare, THEAT RES I, 23(3), 1998, pp. 283-284
Authors:
DMonte, R
Citation: R. Dmonte, Shakespeare and the authority of performance, THEAT RES I, 23(3), 1998, pp. 283-283
Authors:
Howarth, WD
Citation: Wd. Howarth, Moliere, 'Don Juan', THEAT RES I, 23(3), 1998, pp. 284-285
Authors:
Titcomb, C
Citation: C. Titcomb, Resistance, parody and double consciousness in African-American theatre, 1895-1910, THEAT RES I, 23(3), 1998, pp. 285-286
Authors:
Gottlieb, V
Citation: V. Gottlieb, The Moscow art theatre, THEAT RES I, 23(3), 1998, pp. 286-287
Authors:
Mumford, M
Citation: M. Mumford, German Expressionist theatre: The actor and the stage, THEAT RES I, 23(3), 1998, pp. 287-288
Authors:
Peeters, F
Citation: F. Peeters, The Crommelynck mystery: The life and work of a Belgian playwright, THEAT RES I, 23(3), 1998, pp. 288-289
Authors:
Bassnett, S
Citation: S. Bassnett, Characters and authors in Luigi Pirandello, THEAT RES I, 23(3), 1998, pp. 288-288
Authors:
Nicholson, S
Citation: S. Nicholson, Yury Lyubimov at the Taganka Theatre 1964-1994, THEAT RES I, 23(3), 1998, pp. 289-289
Authors:
Vince, R
Citation: R. Vince, Later stages: Essays in Ontario theatre from the First World War to the 1970s, THEAT RES I, 23(3), 1998, pp. 289-290
Authors:
Wiles, D
Citation: D. Wiles, Threads of time: A memoir, THEAT RES I, 23(3), 1998, pp. 290-291
Authors:
Wilcox, D
Citation: D. Wilcox, The theatre of Robert Wilson, THEAT RES I, 23(3), 1998, pp. 291-292
Authors:
Gale, MB
Citation: Mb. Gale, Rage and reason: Women playwrights on playwriting, THEAT RES I, 23(3), 1998, pp. 292-293
Authors:
Gale, MB
Citation: Mb. Gale, Feminist theatre voices, THEAT RES I, 23(3), 1998, pp. 292-293
Authors:
Shevtsova, M
Citation: M. Shevtsova, Mise-en-scene" French theatre now, THEAT RES I, 23(3), 1998, pp. 293-293
Authors:
Katritzky, MA
Citation: Ma. Katritzky, The commedia dell'arte: An introduction, THEAT RES I, 23(2), 1998, pp. 99-103
Authors:
Katritzky, MA
Citation: Ma. Katritzky, Was commedia dell'arte performed by mountebanks? Album amicorum illustrations and Thomas Platter's description of 1598, THEAT RES I, 23(2), 1998, pp. 104
Authors:
Aliverti, MI
Citation: Mi. Aliverti, An unknown portrait of Tiberio Fiorilli, THEAT RES I, 23(2), 1998, pp. 127-132
Authors:
Marks, J
Citation: J. Marks, The charlatans of the Pont-Neuf (seventeenth-century Paris), THEAT RES I, 23(2), 1998, pp. 133-141