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Results: 226-250/693
Authors:
Molinari, C
Citation: C. Molinari, Actor-authors of the commedia dell'arte: The dramatic writings of FlaminioScala and Giambattista Andreini, THEAT RES I, 23(2), 1998, pp. 142-151
Authors:
Scott, V
Citation: V. Scott, La virtu et la volupte. Models for the actress in early modern Italy and France, THEAT RES I, 23(2), 1998, pp. 152-158
Authors:
Holm, B
Citation: B. Holm, Harlequin, Holberg and the (in)visible masks: Commedia dell'arte in eighteenth-century Denmark, THEAT RES I, 23(2), 1998, pp. 159-166
Authors:
Anderson, M
Citation: M. Anderson, The idea of commedia dell'arte in the twentieth century, THEAT RES I, 23(2), 1998, pp. 167-173
Authors:
Beale, G
Gayton, H
Citation: G. Beale et H. Gayton, The drive to communicate - The use of language in commedia dell'arte (performances at the Ophaboom Theatre), THEAT RES I, 23(2), 1998, pp. 174-178
Authors:
Anderson, M
Citation: M. Anderson, Tragedy in Athens: Performance space and theatrical meaning, THEAT RES I, 23(2), 1998, pp. 179-179
Authors:
Burnett, MT
Citation: Mt. Burnett, Textual intercourse: Collaboration, authorship and sexualities in Renaissance drama, THEAT RES I, 23(2), 1998, pp. 180-180
Authors:
Scattergood, J
Citation: J. Scattergood, Shakespeare and the geography of difference, THEAT RES I, 23(2), 1998, pp. 180-181
Authors:
Longman, SV
Citation: Sv. Longman, Secret sharers in Italian comedy from Machiavelli to Goldoni, THEAT RES I, 23(2), 1998, pp. 181-182
Authors:
Berghaus, G
Citation: G. Berghaus, Gods of play: Baroque festive performances as rhetorical discourse, THEAT RES I, 23(2), 1998, pp. 182-183
Authors:
Dubost, T
Citation: T. Dubost, La 'Gloire': The Roman empire of Corneille and Racine, THEAT RES I, 23(2), 1998, pp. 183-184
Authors:
Dubost, T
Citation: T. Dubost, Cross-cultural approaches to theatre: The Spanish-French connection, THEAT RES I, 23(2), 1998, pp. 183-184
Authors:
Oggel, LT
Citation: Lt. Oggel, Staging the Jew: The performance of an American ethnicity 1860-1920, THEAT RES I, 23(2), 1998, pp. 184-185
Authors:
Stokes, J
Citation: J. Stokes, Church and stage in Victorian England, THEAT RES I, 23(2), 1998, pp. 184-184
Authors:
McDonald, J
Citation: J. Mcdonald, Ibsen's women, THEAT RES I, 23(2), 1998, pp. 185-186
Authors:
Wolf, LJ
Citation: Lj. Wolf, 1894, European theatre in Turmoil: Meaning and significance of the theatrea hundred years ago, THEAT RES I, 23(2), 1998, pp. 186-186
Authors:
Scullion, A
Citation: A. Scullion, The art of the Ballets-Russes: The Serge-Lifar-Collection of theater designs, costumes, and paintings at the Wadsworth-Atheneum, Hartford, Connecticut, THEAT RES I, 23(2), 1998, pp. 186-187
Authors:
Baugh, C
Citation: C. Baugh, Brecht, 'Mother Courage and her children', THEAT RES I, 23(2), 1998, pp. 187-188
Authors:
Di Benedetto, S
Citation: S. Di Benedetto, Towards a theatre of the oppressed: The dramaturgy of John Arden, THEAT RES I, 23(2), 1998, pp. 188-189
Authors:
Grantley, D
Citation: D. Grantley, The Cambridge companion to Arthur Miller, THEAT RES I, 23(2), 1998, pp. 188-188
Authors:
Long, J
Citation: J. Long, The theater of Brian Friel: History and stories, THEAT RES I, 23(2), 1998, pp. 189-190
Authors:
Osofisan, F
Citation: F. Osofisan, African theatre and politics: The evolution of theatre in Ethiopia, Tanzania and Zimbabwe, a comparative study, THEAT RES I, 23(2), 1998, pp. 190-191
Authors:
Sierz, A
Citation: A. Sierz, The national: The theatre and its work, 1963-97, THEAT RES I, 23(2), 1998, pp. 190-190
Authors:
Singleton, B
Citation: B. Singleton, Theatre/theory: An introduction, THEAT RES I, 23(2), 1998, pp. 191-192
Authors:
Shevtsova, M
Citation: M. Shevtsova, Unmaking mimesis: Essays in feminism and theatre, THEAT RES I, 23(2), 1998, pp. 193-193