Citation: Jc. Ball, PESSOPTIMISM - SATIRE AND THE MENIPPEAN GROTESQUE IN RUSHDIE 'MIDNIGHTS CHILDREN', English studies in Canada, 24(1), 1998, pp. 61-81
Citation: P. Sinnema, RECLAIMING MORRIS,WILLIAM - ENGLISHNESS, SUBLIMITY, AND THE RHETORIC OF DISSENT - WEINROTH,M, English studies in Canada, 24(1), 1998, pp. 103-105
Citation: Mj. Edwards, I BLESS YOU IN MY HEART - SELECTED CORRESPONDENCE OF TRAILL,CATHARINE,PARR - BALLSTADT,C, HOPKINS,E, PETERMAN,MA, English studies in Canada, 24(1), 1998, pp. 105-108
Citation: Mj. Edwards, MUCH TO BE DONE - PRIVATE LIFE IN ONTARIO FROM VICTORIAN DIARIES - HOFFMAN,F, TAYLOR,R, English studies in Canada, 24(1), 1998, pp. 105-108
Citation: P. Merivale, POSTMODERN APOCALYPSE - THEORY AND CULTURAL-PRACTICE AT THE END - DELLAMORA,R, English studies in Canada, 24(1), 1998, pp. 117-120
Citation: L. Salem-wiseman, 'We-are-not-alone-here-Charlie': Madness, nature, and wonder in Timothy Findley's The 'Piano Man's Daughter', ENGL ST CAN, 24(4), 1998, pp. 431-446
Citation: S. Gingell, When X equals zero: The politics of voice in first peoples poetry by women(Canadian literature, Indian), ENGL ST CAN, 24(4), 1998, pp. 447-466
Citation: T. Henighan, The 'Presumption of Culture' and 'Ideas of North': A reply to Frank Davey (On review of author's two books), ENGL ST CAN, 24(4), 1998, pp. 467-469
Citation: P. Ayers, Self-speaking in medieval and early modern English drama: Subjectivity, discourse, and the stage, ENGL ST CAN, 24(4), 1998, pp. 473-475
Citation: H. Hollis, 'Heaven and home': Charlotte M. Yonge's domestic fiction and the Victoriandebate over women, ENGL ST CAN, 24(4), 1998, pp. 477-479