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Results: 1-25/325
Authors:
Bruhn, S
Citation: S. Bruhn, A concert of paintings: 'Musical ekphrasis' in the twentieth century, POETICS TOD, 22(3), 2001, pp. 551-605
The music of sympathy in the arts of the Baroque, or, the use of difference to overcome indifference
Authors:
HaCohen, R
Citation: R. Hacohen, The music of sympathy in the arts of the Baroque, or, the use of difference to overcome indifference, POETICS TOD, 22(3), 2001, pp. 608-650
Authors:
Wolosky, S
Citation: S. Wolosky, The lyric, history, and the avant-garde: Theorizing Paul Celan, POETICS TOD, 22(3), 2001, pp. 651-668
Authors:
Gorman, D
Citation: D. Gorman, The use and abuse of speech-act theory in criticism: A corrective note, POETICS TOD, 22(3), 2001, pp. 669-670
Authors:
Brown, D
Citation: D. Brown, James Joyce, 'Ulysses', and the construction of Jewish identity: Cultural,biography, and 'the Jew' in Modernist Europe, POETICS TOD, 22(3), 2001, pp. 671-689
Authors:
Brown, D
Citation: D. Brown, Quare Joyce, POETICS TOD, 22(3), 2001, pp. 671-688
Authors:
Brown, D
Citation: D. Brown, James Joyce and censorship: The trials of 'Ulysses', POETICS TOD, 22(3), 2001, pp. 671-688
Authors:
Brown, D
Citation: D. Brown, Transcultural Joyce, POETICS TOD, 22(3), 2001, pp. 671-688
Authors:
Brown, D
Citation: D. Brown, Our Joyce: From outcast to icon, POETICS TOD, 22(3), 2001, pp. 671-689
Authors:
Brown, D
Citation: D. Brown, Modernism's body: Sex, culture, and Joyce, POETICS TOD, 22(3), 2001, pp. 671-689
Authors:
Leerssen, J
Citation: J. Leerssen, Stereotypes and cliches: Language, discourse, society, POETICS TOD, 22(3), 2001, pp. 691-696
Authors:
Raynaud, C
Citation: C. Raynaud, In defense of autobiography, POETICS TOD, 22(3), 2001, pp. 697-701
Authors:
Raynaud, C
Citation: C. Raynaud, Drafts of self, POETICS TOD, 22(3), 2001, pp. 697-701
Authors:
Segal, E
Citation: E. Segal, The dramatic monologue, POETICS TOD, 22(3), 2001, pp. 703-704
Authors:
Segal, E
Citation: E. Segal, The progress of romance: Literary historiography and the Gothic novel, POETICS TOD, 22(3), 2001, pp. 704-705
Authors:
McHale, B
Citation: B. Mchale, Narralogues: Truth in fiction, POETICS TOD, 22(3), 2001, pp. 706-708
Authors:
Segal, E
Citation: E. Segal, Mind reading: Unframed direct interior monologue in European fiction, POETICS TOD, 22(3), 2001, pp. 708-709
Authors:
de Kock, L
Citation: L. De Kock, South Africa in the global imaginary: An introduction, POETICS TOD, 22(2), 2001, pp. 263-298
Authors:
Skotnes, P
Citation: P. Skotnes, "Civilised off the face of the earth": Museum display and the silencing ofthe Xam (South Africa, bushmen), POETICS TOD, 22(2), 2001, pp. 298-321
Authors:
Merrington, P
Citation: P. Merrington, A staggered orientalism: The Cape-to-Cairo imaginary (Africa, British imperialism, transportation), POETICS TOD, 22(2), 2001, pp. 323-364
Authors:
Bethlehem, L
Citation: L. Bethlehem, "A primary need as strong as hunger": The rhetoric of urgency in South African literary culture under apartheid, POETICS TOD, 22(2), 2001, pp. 365-389
Authors:
de Kock, L
Citation: L. De Kock, Sitting for the civilization test: The making(s) of a civil imaginary in colonial South Africa, POETICS TOD, 22(2), 2001, pp. 391-412
Authors:
Crewe, J
Citation: J. Crewe, 'Black Hamlet': Psychoanalysis on trial in South Africa (Wulf Sachs), POETICS TOD, 22(2), 2001, pp. 413-433
Authors:
Lewis, S
Citation: S. Lewis, Tradurre e tradire: The treason and translation of Breyton Breytenbach, POETICS TOD, 22(2), 2001, pp. 435-452
Authors:
Klopper, D
Citation: D. Klopper, Narrative time and space of the image: The truth of the lie in Winnie Madikizela-Mandela's testimony before the Truth and Reconciliation Commission, POETICS TOD, 22(2), 2001, pp. 453-474