Citation: Em. Good, The 'lovely' sound: Studies in historical music instruments in Germany andJapan with special attention to Old Nuremberg, J AM MUS IN, 25, 1999, pp. 161-163
Citation: Ea. Bowles, Mendelssohn, Schumann, and Ernst Pfundt: A pivotal relationship between two composers and a timpanist, J AM MUS IN, 24, 1998, pp. 5-26
Citation: Sk. Klaus, German square pianos with Prellmechanik in major American museum collections: Distinguishing characteristics of regional schools in the late eighteenth and early nineteenth centuries, J AM MUS IN, 24, 1998, pp. 27-80
Citation: M. Oleskiewicz, A museum, a world war, and a rediscovery: Flutes by Quantz and others fromthe Hohenzollern Museum, J AM MUS IN, 24, 1998, pp. 107-145
Citation: Ra. Green, Music, images, instruments: French review of organology and musical iconography, vol 1, Innovations and traditions in 19th-century French musical life, vol 2, Aspects of 17th-century musical life, J AM MUS IN, 24, 1998, pp. 146-148
Citation: Cf. Mcgovern, Acquired of the angels: The lives and works of master guitar makers John D'Angelico and James L. D'Aquisto, J AM MUS IN, 24, 1998, pp. 154-156
Citation: El. Kottick, 'De Clavichordio II': Proceedings of the International Clavichord Symposium, Magnano, September 21-23, 1995, J AM MUS IN, 24, 1998, pp. 164-169
Citation: J. Koster, THE DIVIDED BRIDGE, DUE TENSION, AND RATIONAL STRIKING POINT IN EARLYENGLISH GRAND PIANOS (MUSICAL-INSTRUMENT HISTORY), Journal of the American Musical Instrument Society, 23, 1997, pp. 5-55
Citation: Hm. Johnson, THE KOTO - MUSICAL-INSTRUMENT, MATERIAL CULTURE, AND MEANING (JAPAN, TRADITIONAL-MUSIC), Journal of the American Musical Instrument Society, 23, 1997, pp. 56-93
Citation: P. Barbieri, MUSICAL-INSTRUMENTS AND PLAYERS IN CHARLES,J.A. 'ACOUSTIQUE' (PARIS, C. 1787-1802) AND OTHER FRENCH TECHNICAL SOURCES, Journal of the American Musical Instrument Society, 23, 1997, pp. 94-120
Citation: L. Libin, MAKERS OF THE HARPSICHORD AND CLAVICHORD, 1440-1840 - BOALCH,DH, Journal of the American Musical Instrument Society, 23, 1997, pp. 147-151