Citation: C. Nydorf, Structure of the writing and sound systems of Western Yiddish, with special attention to the period around 1600, YIDDISH, 2000, pp. 128-132
Citation: S. Aleichem, Speech of greeting given by Sholem Aleichem at the Chernowitz Yiddish language conference, 1908 (in Yiddish), YIDDISH, 2000, pp. 258-258
Citation: Se. Marovitz, 'Hester Street' and The 'Imported Bridegroom': Feminist cinematic adaptations of two works by Abraham Cahan, YIDDISH, 11(3-4), 1999, pp. 1-14
Citation: V. Aarons, Ancient acts of love and betrayal: Ethan Canin's "'Batorsag and Szerelem'"(Responding to the voice of the suburbanized post-war American Jewish writer), YIDDISH, 11(3-4), 1999, pp. 15-36
Citation: R. Omer, The metaphysics of lost Jewish identity in David Mamet's 'Homicide' (The imaginative world of the contemporary Jewish modernist author), YIDDISH, 11(3-4), 1999, pp. 37-50
Citation: Bs. Kirschenbaum, So who's crazy? Two stories by Tova Reich (Exploring the tensions between Judaic morality and spiritualism and American citizenship and "success"), YIDDISH, 11(3-4), 1999, pp. 51-63
Citation: S. Lainoff, Prison as metaphor in the fiction of Malamud, Singer, and Roth (American Jewish assimilation and the American Jewish novel), YIDDISH, 11(3-4), 1999, pp. 64-69
Citation: L. Rubin, Two Jewish girls come of age: Gender and ethnicity in 'Allegra Maud Goldman' and 'Leaving Brooklyn' (The Jewish woman as protagonist in twentieth-century American literature), YIDDISH, 11(3-4), 1999, pp. 70-85
Citation: Is. Saposnik, A tale of an umbrella: Isaac Bashevis Singer. Woody Allen. and their New-York stories (Hearing Eastern European Yiddish cultural cadences in an American rhythm), YIDDISH, 11(3-4), 1999, pp. 86-100
Citation: Da. Klein, Sex, war, and Jewish law in four plays about King David and his family (Modern European dramatic treatments of biblical-literary stories), YIDDISH, 11(3-4), 1999, pp. 101-134