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Results: 51-75/768
Authors:
Joachim Schultze
Citation: Joachim Schultze, Causae Cantandi : wie man in der frühen Italienischen Lyrik das Singen begründet hat, Studi musicali , 5(1), 2014, pp. 7-39
Authors:
Michael Scott Cuthbert
Citation: Michael Scott Cuthbert, The Nuremberg and Melk Fragments and the International Ars Nova, Studi musicali , 1(1), 2010, pp. 7-51
Authors:
Gioia Filocamo
Citation: Gioia Filocamo, Bambino "in quella maledetta Ungaria" : Ippolito I d'Este e la musica strumentale, Studi musicali , 2(1), 2011, pp. 7-24
Authors:
Elena Abramov-van Rijk
Citation: Elena Abramov-van Rijk, Luchino Visconti, Jacopo da Bologna and Petrarch : courting a Patron, Studi musicali , 3(1), 2012, pp. 7-62
Authors:
Elina G. Hamilton
Citation: Elina G. Hamilton, Philippe de Vitry in England : musical quotations in the Quatuor principalia and the Gratissima Tenors, Studi musicali , 9(1), 2018, pp. 9-45
Authors:
Andreas Wernli
Citation: Andreas Wernli, La percettibilità delle strutture isoritmiche : osservazioni sui mottetti di Guillaume de Machaut, Studi musicali , 6, 1977, pp. 13-25
Authors:
Manuel Pedro Ferreira
Citation: Manuel Pedro Ferreira, Compositional calculation in Philippe de Vitry, Studi musicali , 37(1), 2008, pp. 13-36
Authors:
Claudio M. Strinati
Citation: Claudio M. Strinati, Sulla storia del concetto di manierismo, Studi musicali , 3, 1974, pp. 13-35
Authors:
Tim Carter
Citation: Tim Carter, Giulio Caccini (1551-1618) : new facts, new music, Studi musicali , 16(1), 1987, pp. 13-31
Authors:
Elena Abramov-van Rijk
Citation: Elena Abramov-van Rijk, Hidden names in Trecento musical compositions, Studi musicali , 14(1), 2023, pp. 15-49
Authors:
Ursula Günther
Citation: Ursula Günther, Zur Entstehung von Verdis Aida, Studi musicali , 2(1), 1973, pp. 15-71
Authors:
Rob C. Wegman
Citation: Rob C. Wegman, Busnoys' Anthoni usque limina and the order of Saint-Antoine-en-Barbefosse in Hainaut, Studi musicali , 17(1), 1988, pp. 15-31
Authors:
Theodor Dumitrescu
Citation: Theodor Dumitrescu, Leading tones in Cantus firmi and the early L'homme armé tradition, Studi musicali , 31(1), 2002, pp. 17-55
Authors:
David S. Butchard
Citation: David S. Butchard, The first published compositions of Alessandro Striggio, Studi musicali , 12(1), 1983, pp. 17-51
Authors:
Stefano Lorenzetti
Citation: Stefano Lorenzetti, La parte della musica nella costruzione del gentiluomo : tendenze e programmi della pedagogia seicentesca tra Francia e Italia, Studi musicali , 25(1-2), 1996, pp. 17-40
Authors:
Rodolfo Baroncini
Citation: Rodolfo Baroncini, In choro et in organo : strumenti e pratiche strumentali in alcune cappelle dell'area padana nel XVI secolo, Studi musicali , 27(1), 1998, pp. 19-51
Authors:
W. Thomas Marrocco
Marie-Laure Merveille
Citation: W. Thomas Marrocco et Marie-laure Merveille, Anthonius Arena : master of law and dance of the Renaissance, Studi musicali , 18(1), 1989, pp. 19-48
Authors:
Pamela Jones
Citation: Pamela Jones, The editions of Cesare Negri's Le Gratie d'Amore : choreographic revisions in printed copies, Studi musicali , 21(1), 1992, pp. 21-33
Authors:
Francesco Zimei
Citation: Francesco Zimei, Music in small Italian villages : a new source of fifteenth-century polyphony from Rocca di Botte, Studi musicali , 36(1), 2007, pp. 21-63
Authors:
Laurence Wuidar
Citation: Laurence Wuidar, Blasphème, superstition et péché musical à la Renaissance, Studi musicali , 8(1), 2017, pp. 23-48
Authors:
Francesco Rocco Rossi
Citation: Francesco Rocco Rossi, Excursus sulla coniuncta : ovvero prolegomeni all'indagine sul Liber musices della biblioteca Trivulziana di Milano, Studi musicali , 38(1), 2009, pp. 23-44
Authors:
James Haar
Citation: James Haar, Giovanthomaso Cimello as madrigalist, Studi musicali , 22(1), 1993, pp. 23-59
Authors:
Mario Rinaldi
Citation: Mario Rinaldi, Come l'Accademia di Santa Cecilia raggiunse la sua orchestra stabile, Studi musicali , 14(1), 1985, pp. 25-49
Authors:
Anthony M. Cummings
Alexander Dean
Citation: Anthony M. Cummings et Alexander Dean, The Great Italian Songbook of the Early Cinquecento : Arrangements of Frottole for Voice and Lute, Studi musicali , 2(1), 2011, pp. 25-48
Authors:
Gianluca D'Agostino
Citation: Gianluca D'Agostino, Reading theorists for recovering 'ghost' repertories : Tinctoris, Gaffurio and the Neapolitan context, Studi musicali , 34(1), 2005, pp. 25-50