Citation: R. Antonetto, Hypotheses concerning a little-known youthful work by the master cabinet maker Pietro Piffetti, STUD PIEMON, 30(1), 2001, pp. 47-58
Citation: A. Griseri, Who is depicted in the frescoes of the church of Sant'Andrea in Savigliano? The emperor Charlemagne himself, STUD PIEMON, 30(1), 2001, pp. 67-69
Citation: Lc. Gentile, From the court to the urban patricians: heraldry as a projection of political relationships in Trecento paintings from the Valle-di-Susa, STUD PIEMON, 30(1), 2001, pp. 71-84
Citation: P. Cornaglia, A profile of Giuseppe Battista Piacenza, court architect during the AncienRegime, the Empire and the Restoration, STUD PIEMON, 30(1), 2001, pp. 85-95
Citation: Am. Sassi Perino, Architecture and the "art of building" in 19th century encyclopedias published in Turin, STUD PIEMON, 30(1), 2001, pp. 97-108
Citation: T. Ricardi Di Netro, Count Eugenio Piossasco di Beinasco, a belle-epoque artist in Turin also known as Veritas, STUD PIEMON, 30(1), 2001, pp. 109-122
Citation: T. Vialardi Di Sandigliano, Contributions to the history of freemasonry in the Piedmont: the Oriente lodge and Piedmontese regiments, STUD PIEMON, 30(1), 2001, pp. 151-157
Citation: C. Roggero Bardelli, Theatrum-Sabaudiae. Theater in the states governed by the Duke of Savoy, vol 1, texts, vol 2, tables, STUD PIEMON, 30(1), 2001, pp. 164-169
Citation: G. Pagliero, Literary geographies and genealogies. Scholars, biographers, chroniclers, narrators, "epistolieres", Utopian between the 18th and 19th centuries, STUD PIEMON, 30(1), 2001, pp. 170-171