Citation: K. Steyvaert, A 'massive dramatic plum pudding': The politics of reception in the early Antwerp performance of Shelley's The 'Cenci', KEATS-SHELL, 50, 2001, pp. 14-26
Citation: M. Eberle-sinatra, Introducing 'Critical Essays': Leigh Hunt and theatrical criticism in the early nineteenth century, KEATS-SHELL, 50, 2001, pp. 100-123
Citation: I. Dennis, 'Making death a victory': Victimhood nad power in Byron's 'Prometheus' andThe 'Prisoner of Chillon', KEATS-SHELL, 50, 2001, pp. 144-161
Citation: Sj. Wolfson, The manuscripts of the Younger Romantics: Lord Byron, vol 11, 'Ode to Napoleon Buonaparte', 'Don Juan', Canto VIII, and Stanzas from III and IX, illustrating Byron's attitudes toward Napoleon, Wellington, and war, a facsimile of the original draft manuscripts in the Harry Ransom Humanities ResearchCenter of the University of Texas at Austin, KEATS-SHELL, 50, 2001, pp. 168-171
Citation: Sj. Wolfson, The manuscripts of the Younger Romantics: Lord Byron, vol 12, Poems 1807-1824 and 'Beppo', a facsimile of the original manuscripts int he British Library and in the Pforzheimer Collection of the New York Public Library, KEATS-SHELL, 50, 2001, pp. 168-171
Citation: R. Morrison, Leigh Hunt: A life in letters, together with some correspondence of William Hazlitt (422 Hunt letters, 14 Hazlitt letters), KEATS-SHELL, 50, 2001, pp. 176-179
Citation: Nm. Williams, Lives of the great Romantics, vol 3, Godwin, Wollstonecraft and Mary Shelley by their contemporaries, KEATS-SHELL, 50, 2001, pp. 179-182