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Table of contents of journal: *Bruckmanns Pantheon

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Authors: Wollesen, JT
Citation: Jt. Wollesen, The case of the disappeared Stoclet Madonna, Bruckmanns Pantheon, 56, 1998, pp. 4-9

Authors: Ilg, U
Citation: U. Ilg, 'Multum-valet-laicis, qui-simultudinibus-gaudent-externis...' - Andrea di Clione's fresco of the 'Inferno' in Santa Croce as catechetical instrument, Bruckmanns Pantheon, 56, 1998, pp. 10-24

Authors: Kemp, M
Citation: M. Kemp, Verrocchio's 'San Donato' and the Chiesina della Vergine di Piazza in Pistoia, Bruckmanns Pantheon, 56, 1998, pp. 25-34

Authors: Grave, J
Citation: J. Grave, A new look at Giovanni Bellini's representation of St. Francis, Bruckmanns Pantheon, 56, 1998, pp. 35-43

Authors: Rapp, J
Citation: J. Rapp, The 'Favola' in Giorgione's 'Gewitter' ('Tempesta'), Bruckmanns Pantheon, 56, 1998, pp. 44-74

Authors: Silver, L
Citation: L. Silver, Old-time religion: Bernart van Orley and the devotional tradition, Bruckmanns Pantheon, 56, 1998, pp. 75-84

Authors: Bickendorf, G
Citation: G. Bickendorf, 'Disegni coloriti' - The pastels of Jacopo Bassanos, Bruckmanns Pantheon, 56, 1998, pp. 85-94

Authors: Burgard, PJ
Citation: Pj. Burgard, The art of dissimulation: Caravaggio's 'Calling of St. Matthew', Bruckmanns Pantheon, 56, 1998, pp. 95-102

Authors: Larsen, E
Citation: E. Larsen, A newly established 'Portrait of a Woman' by Frans Hals, Bruckmanns Pantheon, 56, 1998, pp. 103-107

Authors: Chapeaurouge, DD
Citation: Dd. Chapeaurouge, Guido Reni's 'Venus' and the 'Laocoon', Bruckmanns Pantheon, 56, 1998, pp. 108-111

Authors: Gensichen, S
Citation: S. Gensichen, '...nichts-als-lauter-Chicane.' - On Cosmas Damian Asam's changes in plansfor painting the chapel in the Bruchsal Residence, with a newly discovereddraft contract, Bruckmanns Pantheon, 56, 1998, pp. 112-119

Authors: Kitschen, F
Citation: F. Kitschen, Cezanne's hats - On several self-portraits by Paul Cezanne, Bruckmanns Pantheon, 56, 1998, pp. 120-131

Authors: Heusinger Von Waldegg, J
Citation: J. Heusinger Von Waldegg, Around 1920: Max Ernst, Paul Klee, Giorgio de Chirico, Ossip Zadkine - Self-portraiture as media reflection, Bruckmanns Pantheon, 56, 1998, pp. 133-141

Authors: Cordulack, S
Citation: S. Cordulack, Navigating Klee (Themes in the painter's works), Bruckmanns Pantheon, 56, 1998, pp. 141-153

Authors: Soine, K
Citation: K. Soine, Franz Radziwill's painting, 1933-1945, Bruckmanns Pantheon, 56, 1998, pp. 154-172

Authors: Bothner, R
Citation: R. Bothner, Fear of color? Ellsworth Kelly, Gunter Fruhtrunk, Frank Stella, Bruckmanns Pantheon, 56, 1998, pp. 173-185

Authors: De Vrij, MR
Citation: Mr. De Vrij, The Master of Willem van Bibaut, his oeuvre, his alleged origin and his place in the studio, Bruckmanns Pantheon, 56, 1998, pp. 186-191

Authors: Keblowski, JS
Citation: Js. Keblowski, Gothic architecture in Poland, Bruckmanns Pantheon, 56, 1998, pp. 192-192

Authors: Schlimme, H
Citation: H. Schlimme, Atlas of the Baroque in Italy, vol 1, Terra di bari and capitanata, Bruckmanns Pantheon, 56, 1998, pp. 193-194

Authors: Selbmann, R
Citation: R. Selbmann, Goethe's other side: Tischbein's watercolor 'Goethe am Fenster der Romischen Wohnung am Corso' as visual metaphor for the threshold of an epoch, Bruckmanns Pantheon, 56, 1998, pp. 195-199

Authors: Rauch, A
Citation: A. Rauch, A 'reject' from the World War? A newly-discovered work of Erich Heckel from the Brucke period, and some clarifications of motive and significance of the 'frontal aspect', Bruckmanns Pantheon, 56, 1998, pp. 199-205

Authors: Zedelius, C
Citation: C. Zedelius, Flying loaves, creeping candles ... On Rene Magritte's 100th birthday, Bruckmanns Pantheon, 56, 1998, pp. 205-207

Authors: KREYTENBERG G
Citation: G. Kreytenberg, TINO-DI-CAMAINO SCULPTURAL GROUPS ON THE 3 PORTALS OF THE FLORENTINE BAPTISTRY, Bruckmanns Pantheon, 55, 1997, pp. 4-12

Authors: SEIDEL M
Citation: M. Seidel, SEARCHING FOR ORIGINS IN LUCCA - REDISCOV ERY OF A MEDIEVAL RELIGIOUSSYMBOL (CHRISTIAN ICONOGRAPHY, WOODEN CRUCIFIXES), Bruckmanns Pantheon, 55, 1997, pp. 13-23

Authors: THURLEMANN F
Citation: F. Thurlemann, CAMPIN,ROBERT AS ARTIST JOURNEYMAN IN TOU RNAI AROUND 1400 - A STUDY AND ANALYSIS OF THE PIATUS,SAINT AND ELEUTHERIUS TAPESTRIES, Bruckmanns Pantheon, 55, 1997, pp. 24-31
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