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Results: 1-25/205
Authors:
Jonsson, S
Citation: S. Jonsson, Society degree zero: Christ, Communism, and the madness of crowds in the art of James Ensor, REPRESENTAT, (75), 2001, pp. 1-32
Authors:
Spence, S
Citation: S. Spence, Van Gogh in Alabama, 1936 (Painting, photography, Walker Evans), REPRESENTAT, (75), 2001, pp. 33-60
Authors:
Hammer, L
Citation: L. Hammer, Plath's lives, REPRESENTAT, (75), 2001, pp. 61-88
Authors:
Paperno, I
Citation: I. Paperno, Exhuming the bodies of Soviet terror, REPRESENTAT, (75), 2001, pp. 89-118
Authors:
Osiel, MJ
Citation: Mj. Osiel, Constructing subversion in Argentina's dirty war, REPRESENTAT, (75), 2001, pp. 119-158
Authors:
Williams, B
Citation: B. Williams, What was wrong with Minos? Thucydides and historical time, REPRESENTAT, (74), 2001, pp. 1-18
Authors:
Long, AA
Citation: Aa. Long, Ancient philosophy's hardest question: What to make of oneself, REPRESENTAT, (74), 2001, pp. 19-36
Authors:
Nehamas, A
Citation: A. Nehamas, 'The Sleep of Reason Produces Monsters' (Goya etchings), REPRESENTAT, (74), 2001, pp. 37-54
Authors:
Goehr, L
Citation: L. Goehr, Radical modernism and the failure of style: Philosophical reflections on Maeterlinck and Debussy's 'Pelleas et Melisande' (Opera, Symbolism), REPRESENTAT, (74), 2001, pp. 55-82
Authors:
Faubion, JD
Citation: Jd. Faubion, Toward an anthropology of ethics: Foucault and the pedagogies of autopoiesis, REPRESENTAT, (74), 2001, pp. 83-104
Authors:
Bates, D
Citation: D. Bates, Idols and insight: An Enlightenment topography of knowledge, REPRESENTAT, (73), 2001, pp. 1-23
Authors:
Ando, C
Citation: C. Ando, Signs, idols, and the incarnation in Augustinian metaphysics, REPRESENTAT, (73), 2001, pp. 24-53
Authors:
Lajer-Burcharth, E
Citation: E. Lajer-burcharth, Pompadour's touch: Difference in representation, REPRESENTAT, (73), 2001, pp. 54-88
Authors:
Johnson, JH
Citation: Jh. Johnson, Versailles, meet Les Halles: Masks, carnival, and the French Revolution, REPRESENTAT, (73), 2001, pp. 89-116
Authors:
Dames, N
Citation: N. Dames, Austen's nostalgics, REPRESENTAT, (73), 2001, pp. 117-143
Authors:
Vidler, A
Citation: A. Vidler, Diagrams of diagrams: Architectural abstraction and modern representation, REPRESENTAT, (72), 2000, pp. 1-20
Authors:
Brewer, DA
Citation: Da. Brewer, Making Hogarth heritage, REPRESENTAT, (72), 2000, pp. 21-63
Authors:
Naginski, E
Citation: E. Naginski, Drawing at the crossroads (Introduction), REPRESENTAT, (72), 2000, pp. 64-81
Authors:
Caso, JD
Citation: Jd. Caso, The written drawing: The work of Theophile Bra, REPRESENTAT, (72), 2000, pp. 82-96
Authors:
Leja, M
Citation: M. Leja, Peirce, visuality, and art, REPRESENTAT, (72), 2000, pp. 97-122
Authors:
Wagner, AM
Citation: Am. Wagner, Drawing a blank (On Henry Moore), REPRESENTAT, (72), 2000, pp. 123-144
Authors:
Galison, P
Citation: P. Galison, The suppressed drawing: Paul Dirac's hidden geometry, REPRESENTAT, (72), 2000, pp. 145-166
Authors:
Legge, E
Citation: E. Legge, Reinventing derivation: Roles, stereotypes, and "young British art", REPRESENTAT, (71), 2000, pp. 1-23
Authors:
Connell, P
Citation: P. Connell, Bibliomania: Book collecting, cultural politics, and the rise of literary heritage in romantic Britain, REPRESENTAT, (71), 2000, pp. 24-47
Authors:
Connor, JD
Citation: Jd. Connor, "The projections": Allegories of industrial crisis in neoclassical Hollywood (American film), REPRESENTAT, (71), 2000, pp. 48-76