Citation: Ej. Macarthur, EMBODYING THE PUBLIC SPHERE - CENSORSHIP AND THE READING SUBJECT IN BEAUMARCHAIS 'MARIAGE DE FIGARO', Representations, (61), 1998, pp. 57-77
Citation: R. Schechter, GOTHIC THERMIDOR - THE BALS-DES-VICTIMES, THE FANTASTIC, AND THE PRODUCTION OF HISTORICAL KNOWLEDGE IN POST-TERROR FRANCE, Representations, (61), 1998, pp. 78-94
Citation: R. Reichardt, LIGHT AGAINST DARKNESS - THE VISUAL REPRESENTATIONS OF A CENTRAL ENLIGHTENMENT CONCEPT, Representations, (61), 1998, pp. 95-148
Citation: P. Schwyzer, PURITY AND DANGER ON THE WEST-BANK OF THE SEVERN - THE CULTURAL-GEOGRAPHY OF A 'MASQUE PRESENTED AT LUDLOW CASTLE, 1634' (MILTON,JOHN), Representations, (60), 1997, pp. 22-48
Citation: L. Abulughod, THE INTERPRETATION OF CULTURE(S) AFTER TELEVISION -MEDIA( ANTHROPOLOGY, ETHNOGRAPHIC STUDIES, EGYPTIAN MASS), Representations, (59), 1997, pp. 109-134
Citation: Sb. Ortner, THICK RESISTANCE - DEATH AND THE CULTURAL CONSTRUCTION OF AGENCY IN HIMALAYAN MOUNTAINEERING( ANTHROPOLOGY ), Representations, (59), 1997, pp. 135-162
Citation: G. Marcus, BOGGS,DOCK IN JEFFERSON,THOMAS VIRGINIA + AMERICAN FOLKLORE, SEEGER,MIKE, BLUES, WITH DISCOGRAPHY, Representations, (58), 1997, pp. 1-23
Citation: B. Brown, GLOBAL BODIES POSTNATIONALITIES + 'CHINA', IDENTITY, ETHNICITY, AMERICAN LITERATURE - JOHNSON,CHARLES CONSUMER CULTURE/, Representations, (58), 1997, pp. 24-48
Citation: R. Helgerson, SOLDIERS AND ENIGMATIC GIRLS -CENTURY DUTCH PAINTING - THE POLITICS OF DUTCH DOMESTIC REALISM, 1650-1672( 17TH), Representations, (58), 1997, pp. 49-87