Citation: P. Chiao, GREAT CHANGES IN A VAST OCEAN, NEITHER TRAGEDY NOR JOY -HSIEN( AN INTERVIEW WITH HOU,HSIAO), Performing arts journal, (50-51), 1995, pp. 43-54
Citation: ON IMPOSSIBILITY, A GOTHIC ROMANZA ON THE TEACHING OF PLAYWRITING + ADOCUMENT BY THE POET PLAYWRIGHT-X/, Performing arts journal, (50-51), 1995, pp. 72-76
Citation: Ad. Smith, NOT SO SPECIAL VEHICLES -OUR-DIFFERENCES AND DEVELOPMENTAL SKILLS( NEW WAYS TO LOOK AT BEING IN), Performing arts journal, (50-51), 1995, pp. 77-89
Citation: S. Sommer, TEACH THEM TO TEACH THEMSELVES + TEACHING DANCE HISTORY AND THEORY TOUNDERGRADUATES, Performing arts journal, (50-51), 1995, pp. 107-111
Citation: R. Burt, GETTING OFF THE SUBJECT, ICONOCLASM, QUEER SEXUALITY, AND THE CELEBRITY INTELLECTUAL -STUDIES( TRENDS IN CULTURAL), Performing arts journal, (50-51), 1995, pp. 137-150
Citation: H. Blau, FERVENTLY IMPOSSIBLE, THE GROUP IDEA AND ITS LEGACY -OF-AFFIRMATION, HUNTER-COLLEGE NOVEMBER-21,1993( KEYNOTE ADDRESS AT THE CONFERENCE ON THE THEATER), Performing arts journal, (49), 1995, pp. 1-12
Citation: C. Lovelace, ORLAN OFFENSIVE ACTS -SURGERY OPERATIONS PRESENTED AS PERFORMANCES( THE PLASTIC), Performing arts journal, (49), 1995, pp. 13-25
Citation: M. Barlow, FRAGMENTS OF A MEMORY -MEDIA PORTRAIT INTERWEAVING VIDEO IMAGERY AND VOICE-COLLAGE( LUCIER,MARY 'LAST RITES (POSITANO)', A MIXED), Performing arts journal, (49), 1995, pp. 49-53