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Results: 1-25/399
Authors:
Biagi, G
Citation: G. Biagi, Between a mandolin, an evening shadow, and a blue note (The abundance of Botero and the Leanness of Giacometti), SCULPT REV, 50(3), 2001, pp. 7
Authors:
Gordon, EA
Citation: Ea. Gordon, Frederick MacMonnies' restless artistic energies - A life of shifts in scale and medium (Drawings, paintings, and monumental sculptures), SCULPT REV, 50(3), 2001, pp. 8-15
Authors:
Cutler, EB
Citation: Eb. Cutler, Distance, detail and the apprehension of reality: The sculpture of AlbertoGiacometti, SCULPT REV, 50(3), 2001, pp. 16-23
Authors:
Escallon, AM
Citation: Am. Escallon, The genesis of Fernando Botero's sculptures, SCULPT REV, 50(3), 2001, pp. 24-31
Authors:
Biagi, G
Citation: G. Biagi, Changing the American landscape: Recent sculpture commissions by National Sculpture Society members, SCULPT REV, 50(3), 2001, pp. 32-35
Authors:
Biagi, G
Citation: G. Biagi, Wand JiDa's newly sculpted piece 'Dance', SCULPT REV, 50(2), 2001, pp. 6-6
Authors:
Biagi, G
Citation: G. Biagi, Sculptors/painters: The concept of form rather than colour - Introduction, SCULPT REV, 50(2), 2001, pp. 7-7
Authors:
Hemingway, CC
Citation: Cc. Hemingway, Andrea del Verrocchio (Preeminent Florentine sculptor in the latter part of the fifteenth century), SCULPT REV, 50(2), 2001, pp. 8-15
Authors:
Tahinci, A
Citation: A. Tahinci, Maudit Modi Modigliani's sculpture (Three-dimensional works produced by Amedeo Modigliani from 1902 to 1914), SCULPT REV, 50(2), 2001, pp. 16-21
Authors:
Langland, T
Citation: T. Langland, The new headquarters of the National Sculpture Society, Park Avenue Atrium, New York City, SCULPT REV, 50(2), 2001, pp. 22-23
Authors:
St Clair, R
Citation: R. St Clair, Joseph Sheppard: Fifty years of art (An exhibition of his drawings, paintings and sculpture in Pietrasanta, Italy), SCULPT REV, 50(2), 2001, pp. 24-31
Authors:
Hendrix, EA
Citation: Ea. Hendrix, Colors on Ancient Greek terra-cotta figurines (Scientific analysis of the remaining pigment on the sculptures from the Classical, Hellenistic, and Roman periods), SCULPT REV, 50(2), 2001, pp. 32-35
Authors:
Biagi, G
Citation: G. Biagi, Artist Three step (The works of Constantin Brancusi), SCULPT REV, 50(1), 2001, pp. 7-7
Authors:
Kokkin, I
Citation: I. Kokkin, Bertel Thorvaldsen - Form and reflected ideas, SCULPT REV, 50(1), 2001, pp. 8-13
Authors:
Cortenova, G
Mitoraj, I
Citation: G. Cortenova et I. Mitoraj, Igor Mitoraj - Nolstalgia for the myth (An interview), SCULPT REV, 50(1), 2001, pp. 14-21
Authors:
Langland, T
Citation: T. Langland, Rodin's 'Torso of a Man' - From a small beginning to a large tradition, SCULPT REV, 50(1), 2001, pp. 22-23
Authors:
Pepe, F
Citation: F. Pepe, Andrea Palladio, SCULPT REV, 50(1), 2001, pp. 24-29
Authors:
Schwartz, JN
Citation: Jn. Schwartz, Constantin Brancusi - In search of the essence, SCULPT REV, 50(1), 2001, pp. 30-33
Authors:
Hemingway, S
Citation: S. Hemingway, Reinstalling a collection - Greek sculpture at the Metropolitan Museum of Art, New York, SCULPT REV, 50(1), 2001, pp. 34-34
Authors:
Biagi, G
Citation: G. Biagi, A concept of origins: A sculpture dialogue, SCULPT REV, 49(4), 2000, pp. 7-7
Authors:
Hemingway, S
Citation: S. Hemingway, Ancient Greek figurative sculpture, SCULPT REV, 49(4), 2000, pp. 8-15
Authors:
Plantzos, D
Citation: D. Plantzos, East of Greece: The essential humanity of Cycladic sculpture, SCULPT REV, 49(4), 2000, pp. 16-19
Authors:
Bleifeld, S
Citation: S. Bleifeld, Nude sculpture, 5000 years, SCULPT REV, 49(4), 2000, pp. 20-23
Authors:
Ferruzza, ML
Citation: Ml. Ferruzza, The young man of Mozia (A white marble statue depicting a standing male figure), SCULPT REV, 49(4), 2000, pp. 24-29
Authors:
Jones, WL
Citation: Wl. Jones, The Parthenon of Pericles: Phidias' structural order of the universe, SCULPT REV, 49(4), 2000, pp. 30-33