Citation: Ef. Brylawski, MOTION-PICTURE SOUNDTRACK MUSIC - A GAP OR GAFF IN COPYRIGHT PROTECTION, Journal of the Copyright Society of the U.S.A., 40(3), 1993, pp. 333-348
Citation: Li. Miller, FAIR-USE, BIOGRAPHERS, AND UNPUBLISHED WORKS - LIFE AFTER HR 4412, Journal of the Copyright Society of the U.S.A., 40(3), 1993, pp. 349-400
Citation: Db. Wolf, NEW LANDSCAPE IN THE COPYRIGHT PROTECTION FOR MAPS - MASON V MONTGOMERY DATA, INC, Journal of the Copyright Society of the U.S.A., 40(3), 1993, pp. 401-406
Citation: Ec. Alderman, RESALE ROYALTIES IN THE UNITED-STATES FOR FINE VISUAL-ARTISTS - AN ALIEN CONCEPT, Journal of the Copyright Society of the U.S.A., 40(2), 1992, pp. 265-283
Citation: S. Perlmutter, RESALE ROYALTIES FOR ARTISTS - AN ANALYSIS OF THE REGISTER OF COPYRIGHTS REPORT (REPRINTED FROM COLUMBIA VLA JOURNAL OF LAW AND THE ARTS), Journal of the Copyright Society of the U.S.A., 40(2), 1992, pp. 284-314
Citation: C. Sky, REPORT OF THE REGISTER OF COPYRIGHTS CONCERNING DROIT-DE-SUITE, THE ARTISTS RESALE ROYALTY - A RESPONSE, Journal of the Copyright Society of the U.S.A., 40(2), 1992, pp. 315-323