Citation: B. Orton, LOVE AND IDEOLOGY IN THE AFTERNOON - SOAP-OPERA, WOMEN AND TELEVISIONGENRE - MUMFORD,LS, Journal of gender studies, 7(1), 1998, pp. 110-111
Citation: R. Hensman, RACE, CLASS AND GENDER - COMMON BONDS, DIFFERENT VOICES - CHOW,ENL, WILKINSON,D, ZINN,MB, Journal of gender studies, 7(1), 1998, pp. 111-113
Citation: B. Broncano, LATIN-AMERICAN WOMENS WRITING - FEMINIST READINGS IN THEORY AND CRISIS - JONES,AB, DAVIES,C, Journal of gender studies, 7(1), 1998, pp. 115-116
Citation: E. Federici, FEMINISMS OF THE BELLE-EPOQUE - A HISTORICAL AND LITERARY ANTHOLOGY -WAELTIWALTERS,J, HAUSE,SC, Journal of gender studies, 7(1), 1998, pp. 122-122
Citation: R. Maltz, Real Butch: the performance/performativity of male impersonation, drag kings, passing as male, and stone butch realness, J GEND STUD, 7(3), 1998, pp. 273-286
Citation: Ma. Taylor, 'The Masculine Soul heaving in the female bosom': theories of inversion and The Well of Loneliness, J GEND STUD, 7(3), 1998, pp. 287-296
Citation: G. Williams, Oppositional Voices: women as writers and translators of literature in theEnglish Renaissance, J GEND STUD, 7(3), 1998, pp. 331-332