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Results: 1-25/192
Authors:
Collins, N
Citation: N. Collins, 'Southern Cones' - Introduction, LEONARD M J, 10, 2000, pp. 1-2
Authors:
Aharonian, C
Citation: C. Aharonian, An approach to compositional trends in Latin America, LEONARD M J, 10, 2000, pp. 3
Authors:
Cuellar Camargo, LE
Citation: Le. Cuellar Camargo, The development of electroacoustic music in Colombia, 1965-1999: An introduction, LEONARD M J, 10, 2000, pp. 7
Authors:
Palombini, C
Citation: C. Palombini, The Brazilian Group for Computer Music Research: A proto-history, LEONARD M J, 10, 2000, pp. 13
Authors:
Velasco, D
Citation: D. Velasco, 'Island Landscape': Following in Humboldt's footsteps through the acousticspaces of the tropics, LEONARD M J, 10, 2000, pp. 21
Authors:
Nzewi, O
Citation: O. Nzewi, The technology and music of the Nigerian Igbo Ogene Anuka bell orchestra, LEONARD M J, 10, 2000, pp. 25
Authors:
Lewis, GE
Citation: Ge. Lewis, Too many notes: Computers, complexity and culture in 'Voyager', LEONARD M J, 10, 2000, pp. 33
Authors:
Ligeti, L
Citation: L. Ligeti, Beta Foly: Experiments with tradition and technology in West Africa, LEONARD M J, 10, 2000, pp. 41
Authors:
Moroni, A
Manzolli, J
Zuben, FV
Gudwin, R
Citation: A. Moroni et al., Vox populi: An interactive evolutionary system for algorithmic music composition, LEONARD M J, 10, 2000, pp. 49
Authors:
Keller, D
Citation: D. Keller, Compositional processes from an ecological perspective, LEONARD M J, 10, 2000, pp. 55
Authors:
McLachlan, N
Citation: N. Mclachlan, A spatial theory of rhythmic resolution, LEONARD M J, 10, 2000, pp. 61
Authors:
Collins, N
Citation: N. Collins, Power and responsibility: Politics, identity and technology in music, LEONARD M J, 9, 1999, pp. 1-2
Authors:
Bobrowski, K
Citation: K. Bobrowski, 'Grass Roots' (A structured improvisation for large ensemble and open instrumentation), LEONARD M J, 9, 1999, pp. 3-3
Authors:
Jorda, S
Citation: S. Jorda, Faust music on-line: An approach to real-time collective composition on the Internet, LEONARD M J, 9, 1999, pp. 5
Authors:
Duckworth, W
Citation: W. Duckworth, Making music on the Web, LEONARD M J, 9, 1999, pp. 13-17
Authors:
Trayle, M
Citation: M. Trayle, Free enterprise: Virtual capital and counterfeit music at the end of the century, LEONARD M J, 9, 1999, pp. 19-22
Authors:
Brown, C
Citation: C. Brown, 'Talking Drum': A local area network music installation, LEONARD M J, 9, 1999, pp. 23
Authors:
Bennett, J
Citation: J. Bennett, BMB con.: Collaborative experiences with sound, image and space, LEONARD M J, 9, 1999, pp. 29
Authors:
Cross, L
Citation: L. Cross, 'Reunion': John Cage, Marcel Duchamp, electronic music and chess, LEONARD M J, 9, 1999, pp. 35
Authors:
Goode, D
Citation: D. Goode, 'MARX BRO.', LEONARD M J, 9, 1999, pp. 43-44
Authors:
Ho, F
Citation: F. Ho, Beyond Asian American jazz: My musical and political changes in the Asian American movement, LEONARD M J, 9, 1999, pp. 45-51
Authors:
Fischman, R
Citation: R. Fischman, Global village, local universe: A statement of identity, LEONARD M J, 9, 1999, pp. 53-62
Authors:
VanPeer, R
Dunn, D
Citation: R. Vanpeer et D. Dunn, Music, language and environment (An interview with composer and sound recordist David Dunn), LEONARD M J, 9, 1999, pp. 63-67
Authors:
Osborne, W
Citation: W. Osborne, Symphony orchestras and artist-prophets: Cultural isomorphism and the allocation of power in music, LEONARD M J, 9, 1999, pp. 69-75
Authors:
Rzewski, F
Citation: F. Rzewski, Parma Manifesto (Composer's text written in the afternoon of a performanceby Musica-Elletronica-Viva in March 1968 at the Festival-Internazionale-del-Teatro-Universitario in Parma), LEONARD M J, 9, 1999, pp. 77-78