Citation: Va. Lankewish, Love among the ruins: The catacombs, the closet, and the Victorian 'Early Christian' novel, VIC LIT CUL, 28(2), 2000, pp. 239-273
Citation: Wr. Mckelvy, Primitive ballads, modern criticism, ancient skepticism: Macaulay's 'Lays of Ancient Rome', VIC LIT CUL, 28(2), 2000, pp. 287-309
Citation: Pl. Brown, From Elizabeth Gaskell's 'Mary Barton' to her 'North and South': Progress or decline for women?, VIC LIT CUL, 28(2), 2000, pp. 345-358
Citation: A. Cooper, Voicing the language of literature: Jude's obscured labor ('Jude the Obscure', Thomas Hardy, style), VIC LIT CUL, 28(2), 2000, pp. 391-410
Citation: R. Jann, Thomas Hardy's rustics and the construction of class (Social mobility, issues in the Victorian novel), VIC LIT CUL, 28(2), 2000, pp. 411-425
Citation: C. Williams, Intimacy and theatricality: Mike Leigh's 'Topsy-Turvy' (William S. Gilbert, Arthur Sullivan, film, 'Mikado'), VIC LIT CUL, 28(2), 2000, pp. 471-476
Citation: El. O'Brien, 'The most beautiful murder': The transgressive aesthetics of murder in Victorian street ballads, VIC LIT CUL, 28(1), 2000, pp. 15-37
Citation: T. Schaffer, Fashioning aestheticism by aestheticizing fashion: Wilde, Beerbohm, and the male aesthetes' sartorial codes, VIC LIT CUL, 28(1), 2000, pp. 39-54