Citation: Mk. Louis, ENLARGING THE HEART - L.E.L. THE 'IMPROVISATRICE', HEMANS 'PROPERZIA ROSSI', AND BARRETT-BROWNING 'AURORA LEIGH' (LANDON,LETITIA,ELIZABETH), Victorian literature and culture, 26(1), 1998, pp. 1-17
Citation: Cz. Hobson, THE RADICALISM OF 'FELIX HOLT' - ELIOT,GEORGE AND THE PIONEERS OF LABOR, Victorian literature and culture, 26(1), 1998, pp. 19-39
Citation: Pm. Krebs, FOLKLORE, FEAR, AND THE FEMININE - GHOSTS AND OLD-WIVES-TALES IN 'WUTHERING HEIGHTS', Victorian literature and culture, 26(1), 1998, pp. 41-52
Citation: Wa. Davis, READING FAILURE IN(TO) 'JUDE THE OBSCURE' - HARDY SUE-BRIDEHEAD AND LADY-JEUNE NEW-WOMAN ESSAYS, 1885-1900, Victorian literature and culture, 26(1), 1998, pp. 53-70
Citation: O. Degraef, CONGESTION OF THE BRAIN IN AN AGE OF UNPOETRYLESSNESS - ARNOLD,MATTHEW DIGESTIVE TRACTS FOR THE TIMES, Victorian literature and culture, 26(1), 1998, pp. 87-103
Citation: Lc. Roberts, DISCIPLINING AND DISINFECTING WORKING-CLASS READERS IN THE VICTORIAN PUBLIC-LIBRARY, Victorian literature and culture, 26(1), 1998, pp. 105-132
Citation: Al. Horn, FARCICAL PROCESS, FICTIONAL PRODUCT - THACKERAY THEATRICS IN 'LOVEL THE WIDOWER', Victorian literature and culture, 26(1), 1998, pp. 135-154
Citation: A. Brown et E. Bulwerlytton, THE SUPPLEMENTARY CHAPTER TO BULWER-LYTTON A 'STRANGE STORY' (WITH TEXT), Victorian literature and culture, 26(1), 1998, pp. 157-182
Citation: R. Dingley, A HORSE OF A DIFFERENT COLOR - BLACK-BEAUTY AND THE PRESSURES OF INDEBTEDNESS, Victorian literature and culture, 25(2), 1997, pp. 241-251
Citation: K. Newey, ATTIC WINDOWS AND STREET SCENES - VICTORIAN IMAGES OF THE CITY ON THESTAGE, Victorian literature and culture, 25(2), 1997, pp. 253-262
Citation: R. Gould, THE HISTORY OF AN UNNATURAL ACT - INFANTICIDE AND 'ADAM BEDE' (ELIOT,GEORGE), Victorian literature and culture, 25(2), 1997, pp. 263-277
Citation: Rb. Lindemann, DRAMATIC DISAPPEARANCES - BRADDON,MARY,ELIZABETH AND THE STAGING OF THEATRICAL CHARACTER, Victorian literature and culture, 25(2), 1997, pp. 279-291
Citation: El. Smith, DEMORGAN,EVELYN,PICKERING ALLEGORIES OF IMPRISONMENT (VICTORIAN ART, PAINTING), Victorian literature and culture, 25(2), 1997, pp. 293-317
Citation: Pc. Parker, FICTIONAL PHILANTHROPY IN GASKELL,ELIZABETH 'MARY BARTON' AND 'NORTH AND SOUTH', Victorian literature and culture, 25(2), 1997, pp. 321-331
Citation: E. Salotto, DETECTING SUMMERSON,ESTHER SECRETS - DICKENS 'BLEAK HOUSE' OF REPRESENTATION, Victorian literature and culture, 25(2), 1997, pp. 333-349