Citation: Y. Evrard, DEMOCRATIZING CULTURE OR CULTURAL DEMOCRACY + GOVERNMENT ARTS POLICY, The Journal of arts management, law, and society, 27(3), 1997, pp. 167-175
Citation: F. Colbert, CHANGES IN MARKETING ENVIRONMENT AND THEIR IMPACT ON CULTURAL POLICY, The Journal of arts management, law, and society, 27(3), 1997, pp. 177-186
Citation: Ms. Rueschemeyer, ARTS, ARTISTS ASSOCIATIONS, AND THE STATE IN NORWAY, The Journal of arts management, law, and society, 27(3), 1997, pp. 187-204
Citation: M. Jaumain, SOME FEATURES OF CULTURAL POLICIES APPLIED IN BELGIUM, PARTICULARLY IN THE FRENCH-SPEAKING COMMUNITY, The Journal of arts management, law, and society, 27(3), 1997, pp. 205-225
Citation: S. Roodhouse, INTERCULTURISM - THE RELATIONSHIP BETWEEN ART AND INDUSTRY, The Journal of arts management, law, and society, 27(3), 1997, pp. 227-237
Citation: Jh. Balfe, INTRODUCTION - THE ARTS AND LEGISLATION - COPYRIGHT CONSTRUCTION, NONPROFIT BOARD LAW, AND THE NATIONAL-ENDOWMENT-FOR-THE-ARTS, The Journal of arts management, law, and society, 27(2), 1997, pp. 83-84
Citation: Ct. Thiel, THE ARCHITECTURAL-WORKS-COPYRIGHT-PROTECTION GESTURE OF 1990, OR HEY,THAT-LOOKS-LIKE-MY-BUILDING -WORKS-COPYRIGHT-PROTECTION-ACT, COPYRIGHT-LAW, INTELLECTUAL-PROPERTY( ARCHITECTURAL), The Journal of arts management, law, and society, 27(2), 1997, pp. 85-99
Citation: Tj. Spiess, HEIGH-HO, HEIGH-HO -LAW - A SYNCHRONIZATION LICENSE GRANTED TO USE MUSICAL COMPOSITIONS ON FILM AND ON TELEVISION DOES NOT INCLUDE VIDEOCASSETTES( COPYRIGHT), The Journal of arts management, law, and society, 27(2), 1997, pp. 101-115
Citation: Gc. White et Ll. Duncan, THE ARTS FOR ARTS SAKE -LAW, PUBLIC-DOMAIN( COPYRIGHT), The Journal of arts management, law, and society, 27(2), 1997, pp. 119-122
Citation: Ra. Cargo, CHANGING FIDUCIARY RESPONSIBILITIES FOR NONPROFIT BOARDS -LAW, CHARITABLE-ORGANIZATIONS( CORPORATION), The Journal of arts management, law, and society, 27(2), 1997, pp. 123-138
Citation: Tp. Kimbis, SURVIVING THE STORM - HOW THE NATIONAL-ENDOWMENT-FOR-THE-ARTS RESTRUCTURED ITSELF TO SERVE A NEW CONSTITUENCY, The Journal of arts management, law, and society, 27(2), 1997, pp. 139-158
Citation: T. Takemoto, PERFORMATIVITY AND DIFFERENCE - THE POLITICS OF ILLNESS AND COLLABORATION, The Journal of arts management, law, and society, 27(1), 1997, pp. 7-22
Citation: Ea. Brown, INSIDE-OUT - CATHARSIS IN THE ART OF PITTMAN,LARI AND SMITH,KIKI, The Journal of arts management, law, and society, 27(1), 1997, pp. 23-35
Citation: Bb. Wheeler, THE PERFORMANCE OF DISTANCE AND THE ART OF CATHARSIS - PERFORMANCE ART, ARTISTS, AND AUDIENCE RESPONSE, The Journal of arts management, law, and society, 27(1), 1997, pp. 37-49
Citation: Cl. Harrington, TIME TO PIDDLE - DEATH-ROW INCARCERATION, CRAFTSWORK, AND THE MEANINGOF TIME, The Journal of arts management, law, and society, 27(1), 1997, pp. 51-71
Citation: Vb. Morris, INTERNATIONAL PERSPECTIVES ON SOCIAL AND POLICY ISSUES - INTRODUCTION, The Journal of arts management, law, and society, 26(4), 1997, pp. 251-252
Citation: B. Gainer, MARKETING ARTS EDUCATION - PARENTAL ATTITUDES TOWARD ARTS EDUCATION FOR CHILDREN, The Journal of arts management, law, and society, 26(4), 1997, pp. 253-268